Showing posts with label South Africa. Show all posts
Showing posts with label South Africa. Show all posts

Friday, May 11, 2012

Reap the wild wind

The brilliant exposition you are about to read was inspired by an anonymous comment on my 2009 post (Hier staan ons voor die Heilige God van) about the Voortrekker Monument located in Pretoria, South Africa.

The comment:

This whole thing makes me sad because, Afrikaners see this monument as something special to their culture,and where they came from. If you go look closely,and do enough research,you will see that the Voortrekker monument looks exactly like the halls,the Illuminati perform their rituals in. On the sides of the Monument,Piet Ritief is carved out showing all kinds of freemasonry signs(where he gives an oath),and also on his water bottle(the all seing eye). The sun coming through the sky dome,is a form of sun-whorsiping...ec

OK, I didn't clean this comment up, but I did take Mr. (or Ms.) Anonymous' advice and look more closely at the issues he (or she) raised and jotted down some thoughts.  I don't think it's enough research, because I didn't find any Illuminati stuff.  I'll keep looking, promise.  (Note:  I'm not mocking Anonymous' weird spelling and grammar.  My feeling is he/she is South African and well, Anonymous' English is approximately 485.27 million times better than my Afrikaans....)

The Voortrekker Monument is a memorial to the Voortrekkers (pioneers) who in the 1830s and 40s migrated in a generally northeast/easterly direction in order to get out from under the thumb of the British.  The British had assumed control of the colony which is now encompassed by the modern state of South Africa after the tumult of the Napoleonic Wars....and their policies didn't suit the Dutch-speaking Boers who'd been there for 150 or so years already.  So they trekked the Great Trek.  Their four year mission....

Forgive me for glossing over South African history--too complex.  Instead I looked into the Voortrekker Monument and other monuments which might have some connections to or inspiration from Freemasonry. 

I quickly came across an article entitled  A shared spatial symbolism: the Voortrekker Monument, the Völkerslachtdenkmal and Freemasonry by Alta Steenkamp, professor in the School of Architecture, Planning & Geomatics at the University of Cape Town.  The title of the paper pretty much sums up the content.  What is most germane here is that the Voortrekker Monument is based on Leipzig's Völkerslachtdenkmal,  a monument which Steenkamp notes is indisputably imbued with Masonic symbolism, pointing out that there is even a Lodge tucked deep within the monument's bowels.

On the other hand, in Steenkamp's opinion, it is not this Freemasonic content which was important to architect Gerard Moerrijk; he merely modeled his proportions on the Völkerslachtdenkmal.    She concludes:

The strong geometric and spatial correspondence between the Völkerslachtdenkmal and the Voortrekker Monument is extraordinary – both unexpected and astonishing. To say then that the Masonic qualities of the Voortrekker Monument are due to the unoriginality of its design is not to be derogatory towards it but rather as a contribution to an aspect of its history that has remained largely unexplored. The influence of Freemasonry on the design of the Völkerslachdenkmal is undisputed and these esoteric spatial qualities found their way, unintentionally, into the design of the Voortrekker Monument. It is not that the Voortrekker Monument is a Masonic Temple but simply that it borrowed so liberally from a monument with a sub text deliberately Masonic, that it becomes both the first face and the second–the face of the profane world and that of the initiated.

In the Voortrekker monument, there is a relief in which Voortrekker leader Piet Retief is pictured (image) being accosted by three tribesman and appears to be on the verge of being "a-biffed" on the head, which could be interpreted by a mind so inclined as a reference to the founding myth of Freemasonry.  Briefly, in this legend, Hiram Abiff, chief architect of Solomon's Temple, is killed by a blow to the head after refusing to divulge trade secrets to three lesser craftsmen, or ruffians.  These three ruffians hid behind a grassy knoll, see, and, seeing Abiff rolling by in his limousine....oh wait, that's another legend.

In the image I've linked to above, one can also clearly make out a triangle in glory on Retief's canteen.  This is usually cited as a Masonic symbol and it fact, it often is.  Freemasons and Deists refer to it as a symbol of divinity, often encompassing an eye--the Eye of Providence.  Hard to tell from the photo if an eye is involved, I think so, but the idea of Providence, or God's intervention, permeates the Voortrekker mythos:

The Voortrekkers' Great Trek is an epic adventure on a par with the opening up of the western United States and is contemporaneous with it.....[The Voortrekkers displayed] resourcefulness, perseverance, violence and ruthlessness when necessary together with an overarching belief in their actions and the unconditional support of the Almighty.  Source:  http://www.voortrekker-history.co.za/

One of these "ruthless" actions  is celebrated anually.  Wikipedia:

According to an Afrikaner tradition, the Day of the Vow traces its origin as an annual religious holiday to The Battle of Blood River on 16 December 1838. The besieged Voortrekkers took a public vow (or covenant) together before the battle, led by either Andries Pretorius or Sarel Cilliers, depending on whose version is correct. In return for God's help in obtaining victory, they promised to build a church. Participants also vowed that they and their descendants would keep the day as a holy Sabbath. During the battle a group of about 470 Voortrekkers and their servants defeated a force of about ten thousand Zulu. Only three Voortrekkers were wounded, and some 3,000 Zulu warriors died in the battle.
 ....
Two of the earlier names given to the day stem from this prayer. Officially known as the Day of the Vow, the commemoration was renamed from the Day of the Covenant in 1982.

So, the Eye of Providence, imho, would be less a Masonic reference than a reference to God's eye watching over the Voortrekkers.

The Lodge De Goede Verwachting (No. 23 GLSA) claims that Piet Retief was in fact a Freemason, whereas other sources are not so certain.  My "researches" don't indicate that any of the other Voortrekker leaders (such as Pretorius or Cillius) were Freemasons.  Lodge No. 23 (!) certainly doesn't make this claim.

In my original post on the Voortrekker Monument I quoted at length about its Egyptian elements.  For some, these elements, especially pyramids and obelisks, are instantly signs of Freemasonry and/or the Illuminati.  It's true, of course, that Freemasonry was linked to Egyptian revivalism, but to say the obelisk is a uniquely Freemasonic symbol would ignore the long-standing obsession with obelisks in Western architecture, dating back to the Italian (pre-Masonic) Renaissance, if not before.  Not to say this interest in Egyptian architectural stylings doesn't reflect esoteric bling or other high weirdness, but Masonry ain't always the culprit, jack.

That said, anyone looking to justify their belief that the Voortrekker Monument is a Masonic Temple, and it is in fact based on one, will have plenty of other examples to bolster such an assertion, to whit:

* A small pyramid formed of small stones marking the summit of Retief, (aka Voortrekker) Pass (http://fireflyafrica.blogspot.fr/2011/02/retief-voortrekker-pass.html)

* A similar pyramid, the Oudefontein Voortrekker Monument (1938) in the township of Bethulie, also formed of small stones.  Bethulie has a relatively long Masonic presence--the Alan B. Gordon Lodge there was founded in 1911 and is one of the oldest surviving in the Free State. (http://metani101.blogspot.fr/2011/01/places-of-interest-in-bethulie.html)

* The Piet Retief monument in Ulundi is an obelisk. (http://www.panoramio.com/photo/67148103)

* The Bloukrans Monument, also an obelisk, was dedicated in 1897, the cornerstone laid by General Piet Joubert, a Freemason, in what was quite likely (I am assuming here) a Masonic ceremony. (http://www.erfenisstigting.org.za/bloukrans.php)

A "Past Master" in Freemasonry draws the attention of a contemporary to touching incidents between brethren in the last Boer war and at Mojuba Hill. He also points out that not only are President Kruger and Piet Joubert enthusiastic Freemasons, but practically every educated Boer belongs to the order. As most of the British officers also belong to the craft, it will be a real case of "brothers" slaying "brothers." During the last Transvaal war an appeal was sent by the Grand Orient of the Netherlands to the M.W.G.M. the Prince of Wales, entreating him, as a "brother," to use his influence for peace. The Prince replied that, as this was a political question, he could not intervene. 

Poverty Bay Herald, Volume XXVI, Issue 8701, 21 December 1899, Page 3.

This alone is intriguing.  Perhaps the Prince did lobby for peace, maybe not.  The fact that he was appealed to is an indication in a certain faith in his power, and jibes with other tales of Masonic friendship across the battle-lines.

* In Piet Retief/Mkhondo Mpumalanga, we see Piet Retief monuments as truncated pyramids and pyramid-shaped rock cairns.

* In Belfast, of the same Province, the Covenant Monument is an obelisk (http://en.wikipedia.org/wiki/Covenant_Monument).

It's also worth noting that Freemasonry has a long history in South Africa.  Dutch settlers were present in the mid-17th century.  Freemasonry was established in the Netherlands in 1756 and, less than 20 years later, 1772, the Lodge de Goede Hoop No. 12 was formed under the aegis of the Grand Orient of the Netherlands. (http://www.grandlodge.co.za/?page=History).

I'd like to continue with a lengthy quote from Steenkemp:

A Google search under the combined keywords ‘Voortrekker Monument’ and ‘Freemasonry’ yields around 800 results....This vague public interest and associated speculations, more often than not, originate from the book South Africa – Reaping the Whirlwind of National Idolatry by Denise Woods and published by Struik Christian Books in 2006.

In the opinion of Woods (2006), there is little doubt that the Voortrekker Monument is a Masonic Temple, supported by the fact that the architect, Gerhard Moerdyk, himself referred to the monument as a temple....

The festivities and rituals conducted during the Centenary celebrations of the Great Trek in 1938 and the inauguration of the monument in 1949 confirm, for her, the Masonic characteristics.  This includes activities such as the vows made along the ox wagon routes, the torch marathon, the sacred flames lit from the sun and burning today still, and the laying of the foundation stone.  In the design Masonic elements and symbols include the altar, the perpetual flame, the floor pattern which represents the blazing star, the obsession with the exhalation of womanhood, and on the bas relief panels, referred to by Woods as the ‘title deed’, the Governor’s hand symbol, the mother and child, the anchor, the building implements and act of building, the circle (mandala) of wagons and finally, obviously, Piet Retief’s water bottle clearly marked with Masonic symbols.

Accordingly, she posits, the monument is infused with occult symbolism associated with ancient practices of Sun worship, and, says Woods (2006: 152): “… all evidence points to the fact that the monument is an altar endowed with spiritual authority to ‘govern’ the affairs of the nation and direct its destiny for a thousand years and more”. In conclusion, she states that the merits of dismantling not only the Voortrekker Monument but also the associated minor monuments erected during the 1938 Centenary Celebrations are open to debate as each offer an entry point for demonic activity. (Woods, 2006: 207) God, she says, leaves the choice up to us… but it is clear what would happen if left up to her. 

I haven't read Woods' book, so I can't evaluate her evidence.  From what I've been able to find on Voortrekker leadership, Freemasonry was not widespread among them at all.  That doesn't mean that Freemasons didn't have a hand in the monuments erected to mark the centennial of the Voortrekker vow; indeed, at least one of those monuments was dedicated by a Freemason in a Masonic ceremony.  Which is either something to celebrate or decry, depending upon whether you view Freemasonry as a benevolent force with a positive legacy, or a demonic band of Illuminists seeking to overthrow religion and enslave the world.  Woods would seem to favor the latter choice.

Personally the idea of a group promoting liberty and equality doesn't mesh well with the history of Apartheid, but consider this:

It is a little known fact that during Apartheid in South Africa there was only one organization permitted to fraternize or socialize with Colored people. This organization is Freemasonry. (http://www.freemasons-freemasonry.com/freemasons_apartheid.html)

The process of integrating South African Lodges began in 1970 and was finally achieved in 1977.  From that point onward blacks and Muslims were admitted, many holding high positions in the Lodge.  On the contrary, Apartheid wasn't undone until sixteen years later, in 1993.  For a bit of context, the LDS (Mormons) didn't permit blacks to enter their priesthood until 1978.

So if it's racism and dastardly deeds you're after, you'll find it in Freemasonry, for sure.  But where won't you?  How long do you think it will be before there's an African (or even non-European) Pope?
As for the Voortrekkers, their celebrations certainly have a nationalist character and I'm sure among some of their descendants you can find a yearning for the "good old days" of white supremacy.  But, some rather ambiguous images aside, I've found very little evidence that their leaders were involved in Freemasonry, much less the Illuminati.

[12/12/13:  Some might argue my rhetorical question has been answered, as Pope Francis is from South America.  I'd say he is still European, as his parents were Italian.  This question will remain pertinent until there's an African, Asian or Arab pope, in my opinion.]

Like I've said, however, this doesn't mean the monuments celebrating their actions weren't created by Freemasons.  Anyone with any information the monuments cited above is welcome to contact us with details.  Until then, I admit this story ain't over nor partickerly well-written, but I'm a-turnin' the page anyhoo....

To be continued....?

Wednesday, March 10, 2010

Not-so-lost tribe

The idea of the Ten Lost Tribes of Israel has a long and storied history (ever hear of British Israelism, for example?)

One contender for a lost tribe are the Lemba people of South Africa:

"They do not eat pork, they practise male circumcision, they ritually slaughter their animals, some of their men wear skull caps and they put the Star of David on their gravestones."

Just another myth? The BBC reports that British scientists have confirmed the tribe's Semitic origins in the most convincing way possible--DNA tests. The tests support the Lemba oral tradition that a group of seven or so Israelite men came to the region and intermarried with the local population; there are about 80,000 Lemba today.

They also have a prized possession, a replica of the Ark of the Covenant. Which is interesting because so many legends connect the Ark with Africa, especially in Ethiopia, but this is a lot farther south.

In any event, strange that BBC is reporting this without pointing out the tests took place over a decade ago! Still, it's news to us.

You can now cock an eyebrow and say: fascinating!

Thursday, December 17, 2009

Hier staan ons voor die Heilige God van hemel en aarde

Came across a NYT article about the Day of the Vow (Dec. 16). On this day, South Africa's Afrikaners celebrate the day their ancestors made a deal with God just before engaging in a battle--the Battle of Blood River--in which a few hundred of them managed to kill 3,000 or so Zulus. Welcome to Post-Apartheid South Africa.

The article is an interesting look at how, despite some integration in society, SA remains pretty solidly segregated, especially among the poorer classes. A trash collector at the site, one of the few blacks to be seen that day, had this to say: "I don’t know anything about their holiday."

The Day of the Vow is celebrated at the Voortrekker Monument in the Hall of the Cenotaph. The last paragraph of the article caught our eye:

The reading of the vow is one of the two most solemn moments of the prayer service. The other comes precisely at midday as families lean over the parapets that overlook the cenotaph.


Careful calculations were made by the monument’s designers, and exactly at noon on each Dec. 16, the sun shines through a small opening in the dome, alighting on the empty tomb 138 feet below and yet again signaling for many that it was the Lord’s will that the land be theirs.

You can imagine why we were intrigued.

The website of the monument has this to say of the cenotaph:
The Cenotaph is the central focus point of the Monument. The word cenotaph means "empty tomb". It is therefore the symbolic resting place of Piet Retief and all the other Voortrekkers who died during the Great Trek...

Once a year, on 16 December, the sun shines through an opening in the dome roof of the Monument onto the middle of the Cenotaph.


It shines on the words
"Ons vir jou, Suid-Afrika", literally translated: "We for thee South Africa." The architect, Gerard Moerdijk, planned this specifically because the ray of sunlight symbolizes God's blessing on the life and work of the Voortrekkers.

The Cenotaph Hall consists of a 34,5 x 34,5 metre area and is decorated with the flags from the different Voortrekker Republics...

Against the Northern wall is a nave with a lantern where a flame has been kept burning since 1938. The Symbolic Ox Wagon Trek took place in 1938. It started in Cape Town and ended at Monument Hill where the foundation stone was laid for the erection of the Monument.

The Cenotaph Hall is generally accepted as the most sensitive area of the Monument. For this reason, activities are limited to religious and culture related events.

It all sounds so pagan, like ancestor and sun worship all mixed up into one. But apparently we're not the first to grok this, and it would appear to more than our own fanciful imaginations. There may also be connections to Freemasonry; its Egyptian character is far more certain.

Wikipedia:

"Alta Steenkamp links the
Voortrekker Monument to the....Völkerschlachtdenkmal in Leipzig, Germany. According to Dr. Steenkamp the masonic subtext of the Völkerschlachtdenkmal is reflected in the Voortrekker Monument, because Moerdyk had used the geometric order and some spatial proportions of the Völkerschlachtdenkmal. This Germanization of the Voortrekker Monument occurred after Moerdyk's original design had caused a public outcry in the press, due to its resemblance to an Egyptian open air temple."

The Völkerschlachtdenkmal, or "Monument to the Battle of Nations" is a monument in Leipzig erected to commemorate the 100th anniversary of the Battle of Leipzig (1813). The monument is said to reflect sketches of the Temple of Solomon and the symbolism of Freemasonry. Indeed, one source says it houses a "Masonic temple" but we can't verify this; it sounds like a dubious claim. Ironically, for all its alleged Jewish and Masonic symbolism, it was a favored spot for Hitler's speeches when he passed through Leipzig.

According to author Christopher Hodapp (Freemasonry for Dummies), Völkerschlachtdenkmal architect Bruno Schmitz (1858-1916) was in fact a Freemason; the same cannot be said for Gerard Moerdijk (1890-1958). Another war monument by Schmitz, by the way, the Indiana Soldier and Sailor's Monument, does feature 32 flights of stairs with 330 numbered steps (and one unnumbered). This may or may not be a coincidence; or you can take it as evidence he imbued his designs with Masonic symbolism. (Incidentally, the Soldier and Sailor's Monument in Syracuse, NY is found in Clinton Square--formerly known as Masonic Park!)

As for the unquestionable Egyptianism of the Voortrekker Monument, mentioned above, its design was initially:

based on a causeway consisting of two Egyptian temple
obelisks. During 1936, the year of his final Voortrekker Monument design, architect Gerard Moerdijk visited Egypt, including the Karnak Temple Compex in Luxor (Thebes). There Nefertiti's husband had erected three sun sanctuaries, one of which was called the Hwt-benben ('mansion of the Benben').

Despite the externally revised
Voortrekker Monument, its interior maintained visible links with the sun civilization of ancient Africa in Egypt. The main symbol in the Voortrekker Monument is an annual sun disc illumination at mid-noon on a central stone.

....

The Voortrekker Monument consists of three levels: bottom cellar, middle hall and top dome. In the bottom cellar is an empty tomb stone called the Cenotaph, or Sarcophagus according to Moerdijk.
The middle Hall of Heroes harbours the historical wall frieze. The upper dome with Egyptian backlighting simulates the open sky.

....

Looking from the sky dome downwards, a chevron pattern on the floor of the Hall of Heroes, radiates outwards like 32 sun rays from the centre opening. In Moerdijk's architecture, the natural sun forms a 33rd ray through the same opening. Moerdijk said the chevron pattern on the floor depicts water
, as does the double chevron hieroglyph from the civilization of old Egypt. Moerdijk stated that all roads on the terrain of building art, lead back to old Egypt.

Based on Moerdijk's reference to the watery floor of the Hall of Heroes, as well as his statement about old Egypt, the opening in the water-floor can be identified with the watery abyss, as in the creation theology of ancient African civilization. Rising out of this watery abyss, was the primeval mound, the Benben stone.
 

[The Benben stone, named after the mound, was a sacred stone in the solar temple of Heliopolis. It was the location on which the first rays of the sun fell. It is thought to have been the prototype for later obelisks, and the capstones of the great pyramids were based on its design.]

....

In Moerdijk's biblical theology...God can communicate in two ways: through scripture as well as through nature. Moerdijk merges both methods in one revealing moment of space-time. He - the creator God in the trinitarian tradition of the Trekkers - becomes the WE, within the shining disc illuminating the words on the stone.
["We for thee South Africa."] Via the sun, heaven and earth are simulated to be visibly connected through a ray of light.

The appearance of a shining sun disc on the Cenotaph stone, transforms the Trekker vow in analogy to the
Philosophers Stone of the alchemists. The notion of, as above so below, is inverted to: as below, so above. Instead of posterity repeating a human vow from before the Battle of Blood River, the sun shifts the focus to the trinitarian god of the Trekkers, as he communicates through Moerdijk's sun architecture, making himself a heavenly vow with the words: WE - as in GOD - FOR YOU SOUTH-AFRICA.

Moerdijk himself was an outspoken
Afrocentrist architect. At the inauguration of the Voortrekker Monument, Moerdijk mentioned Africa's greatness as imparted by ancient Egyptian constructions.

....


Moerdijk stated that the purpose of a building had to be clearly visible.
[Shades of architecture parlante] The creator aspect of Ra, symbolised by the sun at mid-noon, was in ancient times known as Aten. Aten was written as a dot enclosed by a circle in Egyptian hieroglyphics. The monument incorporates the Aten-hieroglyph by allowing the sun to shine through an aperture in the sky dome. Looking upwards at mid noon, the aperture is visible as a backlit dot inside the circular sky dome. At 12:00am on 16 December the sun is projected as a disc-dot onto the cenotaph stone. Looking down from the top dome, the floor aperture in the Hall of Heroes is once again seen to encircle the disc, as the sun's rays strike the cenotaph stone. Moerdijk's message as implied by the interior design is: through exodus out of the British Cape Colony, God has created a new African civilization inland.

In order to give thanks to this new creation of civilization, Moerdijk, recalling Abraham of old, outwardly designed the Voortrekker Monument as an altar.


(above quotes are from Wikipedia, itself based on
Man en Monument, by Irma Vermeulen)

....

So, no real further comment. We will return to the Benben stone at Heliopolis, where the Phoenix was worshipped, perhaps in relationship to Phoenecian pillar worship and some of Urbain Vitry's Egyptian stylings. We continue to be amazed at how all these things keep coming together.