With such a
distinguished history, it should come as no surprise that Freemasonry
has left its mark on architecture and urban design. For example,
various sources have long ascribed the layout of Washington, D.C. to
Masonic influence, and indeed, it has recently come to light that
original designer Pierre l'Enfant had in fact obtained at the least the
First Degree of the Craft (here). Sandusky, Ohio, has a Square and Compasses
integrated into its original street plan. One square mile in an area
known as "The Lodge" was incorporated as Apopka, Florida, so that its
namesake Masonic Lodge became its center (Journey to the Center of the Earth).
But time and growth have obscured these Masonic origins.
It's been awhile, but I'm finally reporting back from a recent trip to South America. For its large
number of Masonically-inspired monuments, I figured Rio de
Janeiro must be among the most visible Masonic urban
landscapes in the world. I was partly right. What I hadn't counted on
was the related but independent philosophical school of Positivism. Before considering this point, let's take a look a number of examples of potentially Masonic-influenced elements in Rio; we'll get back to the consideration of Positivism towards the end of this article.
When
I kept seeing evocative monuments everywhere I went in Rio, I started
keeping my eyes peeled like a child looking for Easter Eggs. I have
never seen so many obelisks in my life. They are used as architectural
elements, posts to delineate parking lots, fountains and as lone
free-standing sentinels. In addition to the obelisks, there are
pyramids everywhere: truncated, inverted, both right-side up and
inverted together, in pairs.... Even if it weren't for the Illuminati-themed graffiti I
saw around some these monuments, I couldn't merely write it off as
confirmation bias. I wasn't the only one grokking them, they are everywhere.
 |
| Graffiti across the road from the Largo do Boticário |
My Portuguese is poop and English info on some of these
places is kind of scarce, so I hope readers with any information on
these monuments will contact us or comment in order to clarify or expand
upon the information we present herein.
This graffiti (right) was among the first things I photographed on my very first day in town. It was to set the tone for next ten days, where on
each excursion I came across either an obelisk or a pyramid. It seems
to mock the viewer, tongue stuck out and flashing heavy metal devil
horns. I'd been forewarned.
This Google Earth view shows the general distribution of obelisks and pyramids in Rio:
Most of these were glimpsed from the back of a motorcycle or through a bus window. It was only later that I tracked them down to inspect them, making long ambling walks through town, stumbling across even more things by chance. What follows is an account these
dérive(s) through the streets of Rio.
This
is the first set of pyramids I saw:
They are a striking pair of
modest-sized but almost dangerous-looking pyramids made of granite.
They once served as the gateway into the Passeio Público.
Built 1779-1783, this is the oldest public park in Brazil. The public
park we take for granted is actually quite profound; the use of public
space freely available to all is certainly a reflection
of democratic ideals, although this one wasn't open to all the public
until 1793. Prior to that it had been reserved for the aristocracy.
The architect was Valentim da Fonseca e Silva (Master Valentim). He planned it in the
French formal tradition, originally a rough hexagon, like France itself; as you can see, the paths within form first a pentagon, then a square.
 |
| 1862 drawing showing the Master Valentim's design of the Passeio Público. Wikipedia. |
|
|
The
idea of the perfection of nature--order and progress--are implicit in a
park, especially the French style. No coincidence that the first
public parks date to the Enlightenment. When the park was re-designed
in 1864 by a Frenchman in the English style--less symmetrical and more
"natural"--the pyramids were retained.
The principle Masonic themes implicit in these
pyramids lies in the fact they are free-standing markers of
ingress. They can thus be likened to Jachin and Boaz, which are
elements of the Temple of Solomon. This in turn derives from
Phoenicia, and back to Egypt itself. (see
I ♥ Phoenicia and
Pillars of the Community).
 |
| Chafariz de Mestre Valentim or Chafariz da Pirâmide. Photo by "Piutus". |
The story doesn't end with Master Valentim. Here are 8 other related features I'd like to share.
~~~~~~~~~~~~~~~~~~~~~~
1. Here we see the obelisk used as an architectural adornment,on the building which houses the That is to say the syndicate of insurance and capitalization brokers:
~~~~~~~~~~~~~~~~~~~~~~
2. This
obelisk is apparently quite important, capping as it does Avenida Rio
Branco (née Avenida Central), which was a massive engineering affair and
a great source of pride for Cariocas. During one clash between President Vargas
and rebel gauchos, "the rebels hitched their horses to [it], claiming
ownership of Rio's quintessential monument of the bourgeois republic." (Boldface added)
This was in 1930 (Culture Wars in Brazil):
The
needle is 11.4 m and overall it's 28 m high. Like Valentim's pyramids,
it is made of locally-extracted granite and executed by one Eduardo de Sá. It was donated to the city by Januzzi & Brothers at the inauguration of the Avenue. I don't know if either of these brothers were Freemasons.
A sign names President of the Republic Francisco de Paula Rodrigues Alves (a Freemason) and Transportation and Public Minister. Lauro Severiano Muller (also a Freemason) as those who commissioned the Avenue, completed between November 15, 1902 and November 15, 1906 (source).
~~~~~~~~~~~~~~~~~~~~~~
It was designed
by Edgar Fonceca to replace a series of older cathedrals, the last of which had been dedicated to Our Lady of
Mount Carmel. Incidentally, the Chafariz da Pirâmide also replaced a
structured dedicated to this apparition of the Virgin. Perhaps the "pyramid" is thus
designed to evoke Mount Carmel?
I don't think this has anything to do with Freemasonry, but it is pretty damn cool, perhaps a tip of the hat to the recurrence of the pyramid in Master Velentim's designs....
~~~~~~~~~~~~~~~~~~~~~~
4. The Monument to Estácio de Sá. I went into this in some detail in Masonic Republics? so I won't repeat myself here; it should be included in the list, just in case you think I'm overstating my case. I would add that it seems to refer to the pyramids at the
Passeio Público in its sharp verticality. As I mentioned in my other post, the guide at the Sá monument claims the pyramid was chosen because Sá was a Freemason. Whether the claim is true or not, it's important that he believes it to be true; it's association with the other pyramids, then, somewhat retroactively gives them a Masonic association as well.
~~~~~~~~~~~~~~~~~~~~~~
5. Finding
information about the following monument has proven difficult, and it took me a
few hours of walking around in flip-flops, hungover, to find it. I
don't know the artist or the date. I think at this point we can safely
say there are a lot of pyramids in Rio. Perhaps I'm reading too much
into these things, but, judging by the graffiti pictured below, a work
over two meters high on the wall facing the left (as you face it) side
of the pyramid, I'm not the only one wondering if Rio is not in some
ways the enormous sculpture garden of Freemasons....
The honoree here is Zumbi dos Palmares
(1655-1695), a rebel leader of great skill who led the Quilombo dos
Palmares, a self-sustaining republic open to escaped slaves, free
Africans, Indians, whites. He resisted the Portuguese effectively for
years. The central settlement eventually succumbed to Portuguese
artillery but Zumbi lived to fight on for two more years, until he was
betrayed. When captured he was beheaded on the spot. Today he is an
important figure for Afro-Brazilians. This monument is placed in what
was once a thriving Afro-Brazilian neighborhood until much of it was
razed to make way for the massive Avenida Vargas built here.
Who commissioned this statue and who designed it? Why a pyramid? Did Freemasonry influence the design?
~~~~~~~~~~~~~~~~~~~~~~
6. This hourglass configuration of pyramids is the Peace Monument, dedicated
to the city of Rio by the Bahá'à Faith after the Earth Summit in 1992.
The Bahá'à Faith
is a monotheistic religion religion emphasizing the spiritual unity of
all humankind. Three core principles establish a basis for Bahá'Ã
teachings and doctrine: the unity of God, that there is only one God who
is the source of all creation; the unity of religion, that all major
religions have the same spiritual source and come from the same God; and
the unity of humankind,
that all humans have been created equal, and that diversity of race and
culture are seen as worthy of appreciation and acceptance.
This sounds a lot to me like the spiritual principles of Freemasonry
. Indeed,
Bahá'à has come under attack in Iran for, among other reason, having direct ties to the Craft.
As
Freemasonry was a secretive society originating from the West, many
in Iran connected the movement with the introduction of foreign ideas
into the country in order to undermine Iranian values. Claims were made
that many of the earliest Freemason lodges, such as Malkom Khan's
faramush-khanih, which were founded in 1858, were linked to European
lodges. However, Freemasonry was brought to Iran by Iranians who had
seen the movement in other parts of the world.
Furthermore:
The teachings of the Baha'i Faith expressly forbid membership in secret societies. Shoghi Effendi,
the guardian of the Bahá'à Faith, asked all Bahá'Ãs to remove their
memberships from all secret societies, including the Freemasons, so that
they can serve the teachings of the Bahá'à Faith without compromising
their independence.
Source.
The Peace Monument,
"a five-meter high concrete and ceramic
monument was designed by, and built under the supervision of, the
renowned Brazilian artist and sculptor, Siron Franco....His design combines
two pyramids, one inverted on top of the other, creating an hourglass
shape intended to symbolize the fact that time is running out for
humanity unless it unites in a new spirit of global cooperation."
During the inauguration ceremony, a line of
children dressed in the costumes of many countries passed from hand to
hand the soil of 42 nations for deposit into the monument, which is
hollow.
Many of the soil samples have been taken from
sacred or historic sites. Soil from Iceland, for example, was taken from
that country's most sacred and historic spot...
Etched in four languages on the four sides
of the upper pyramid are words written by Bahá'u'lláh more than a
century ago: "The earth is but one country, and mankind its citizens."
The quotation is displayed in English, Portuguese, Chinese and Terena,
an indigenous language of Brazil. On the lower half of the structure the
words "world peace" have been engraved in more than 35 languages. A
glass strip at the monument's midpoint displays multi-colored soils
taken from the contributing nations.
This
is the kind of sentiment that gives so many people nightmares. An
impending One World Government or New World Order is the
bugbear of any number of political and religious persuasions. Any group with an overtly ecumenical
message such as Freemasonry, Scouting (Rio incidentally not only has a
monument to Scouting but to its founder Lord Robert Baden-Powell) or
Unitarians are often lumped together and charged with having a hand in
bringing about this New World Order, often believed to have been
foretold in the
Book of Revelations and directed by the hand of
Lucifer himself. That Masonic luminaries such as Albert Pike spoke
glowingly about the Morning Star, or Venus, aka Lucifer, doesn't help.
That the obverse of the US one dollar bill features an unfinished
pyramid of thirteen layers with a banner which reads
Novus Ordo Seclorum ("New Order of the Ages"), also adds fuel to the fire.
The
charges leveled against Freemasonry do in fact have some merit, if you
believe in the exclusivity of your brand of faith. The Craft does
espouse ecumenicism and the Brotherhood of Man. Personally, I don't
think any of these groups are "all in on it together", but they are
clearly working towards many of the same goals; it is interesting
that they chose the pyramid in a city with its fair share of them
already, many of which, as we have seen, have Masonic
connections.
Which
is also something which can be said about the obelisks of Rio,
including our next mysterious fellow...
~~~~~~~~~~~~~~~~~~~~~~
7. The Praça do
Expedicinario:
This seems to be an administrative area,
with a variety of police and military museums and facilities, hence the
Plaza of the Expeditionary. It is currently very run down and under
renovation, or at least barricaded. The obelisk itself is covered with
graffiti.
According to
this blog
(in Portuguese), this plaza is considered the birthplace of Rio, as it
was the site of the first European occupation of the area, Morro
Castle. The first "town hall" was located here, as was the governor's
mansion, warehouses, a Jesuit church and the city's first cathedral,
dedicated to Saint Sebastian. The remains of
Estácio de Sá, the soldier who founded the city, were also interred here.
The
obelisk is a monument to the Baron of Rio Branco. A little back
story. The Baron's father was José Maria da Silva Paranhos, the
Viscount of Rio Branco
(1819-1880). The elder Paranhos was the Grande Master of Grande
Oriente do Brasil in 1872 when the Bishop of Olinda expelled all
Freemasons from lay brotherhoods. The Viscount had been a Freemason
since at least 1840. Up until then, Brazilian Masonry did not appear to
have the same adversarial relationship with the Church as the
Continental Orients, but for various reasons, things came to a head and provoked a political crisis.
According to Wikipedia:
The
government came down on the side of the Freemasons and against the
church, ordering Dom Vital to rescind the interdict, which he refused.
This refusal led to the bishops being tried before the Supreme Court of
Justice of the Empire where in 1874 they were convicted and sentenced to
four years of hard labor which was commuted to imprisonment without
hard labour. Rio Branco explained in a letter written in August 1873
that he believed the government "could not compromise in the affair"
since "it involved principles essential to the social order and to
national sovereignty". These actions aligned with his own views, but his
convictions were bolstered by the Emperor's identical conclusions.
Pedro II regarded Rio Branco as his favorite politician and a
second-in-command on whom he could rely. The Emperor played a decisive
role by unequivocally backing the government's actions in moving against
the bishops. The lack of independence shown by Rio Branco in relation
to Pedro II was strongly criticized by historian Roderick J. Barman, who
believed that the Prime Minister only enforced policies that did not
displease the Emperor or which had his full support. The trial and
imprisonment of the two bishops was very unpopular....
Pedro
seems to have been an enlightened and simple man who resented the
imperial burden which had been placed upon him. When slavery was
abolished, he received the news while on his sickbed, teary eyed and
exclaiming "Great people! Great people!" Although
Republicanism never
flourished during his reign, Positivism became widespread among junior
officers in the military. When they eventually staged a
coup d'état, he
apparently seemed unconcerned and did nothing to squash it and quietly
accepted exile to Europe. After his death he was widely praised as an exemplar of Republican ideas. One curious conflict that occurred during
his reign was a uprising against the imposition of the metric system,
called "Smash the Kilos" (1874), which many suspected of being condoned by
priests....
Today it might be hard to imagine what a
ruckus the metric system caused, but one must imagine that it in fact
was an extension of Enlightenment and thus
Republican ideals being
extended into the very fabric not only of daily life and commerce, but
in a human being's perception of the world. Even today,
ultra-conservative Catholics yearning for the days before Vatican II
condemn the metric system as a technocratic affront to god and the
natural, as opposed to rational, order. One example is Michael A.
Hoffman, certainly a fringe figure, whose
Secret Societies and Psychological Warfare dedicates quite a bit of ink to railing against the metric system:
The contrast between the reign of number and the world of poetic
serendipity, is analogous with the contrast between metric and
traditional measure. Traditional measure (pounds, pecks, gallons,
bushels, leagues, fathoms, furlongs etc.) represents measurement on a
human scale, containing the quantities of serendipity and poetry, which
constitute mankind’s defense against the empire of the machine. Modern
measure, on the other hand, polices our world with the lifeless rigidity
of the metric system, first imposed in 1795 by Freemasons.
Could Freemasonry be reflected in the use of obelisks? Rio Branco's
son, the Baron, is honored by an obelisk and he, like his father, was
a prominent statesman and Freemason.
Recall if you will our first obelisk, which now sits at one end of the
Avenida
Rio Branco, just where it crosses Rua
Master Valentim.
Perhaps
we're not the only one to link the Rio Branco obelisk to the pyramids and Freemasonry. The final graffito we will present today is scrawled on
the sidewalk just before the Praça do Expedicinario....
~~~~~~~~~~~~~~~~~~~~~~
8. The last monument we'll take a look at is the Monumento aos Mortos da Segunda Guerra Mundial, dedicated to the war dead of the Second World War, especially those of the Brazil Expeditionary
Force. Interesting coincidence. Also interesting is the plethora
of pyramid forms that sit above a chapel holding their remains. Just like
the mausoleums to Artigas in Montevideo and de Sá, the underground crypts receive light from the
surface. The difference is that there isn't just one single pyramid in this
composition, but several. The monument was designed by Mark Netto Konder and Helio Ribas Marinh and completed in 1960.
The
first thing one notices from a distance is the pair of pillars,
supporting a flat table-like slab of concrete. To me, these two pillars recall
Jachin and Boaz. In fact, there are quite a few uses of free
standing pillars in nearby architecture: the Camara Municipal of Rio de Janeiro, on Avenida Rio Branco, the Memorial Municipal Getúlio Vargas (also underground), a pair of whimsical pillars on the Praça Italia and many more I cannot recall.
I
decided not to elaborate upon these examples of pillars (unless they were
obelisks, which is another matter) but I mention Jachin and Boaz
here because of the metalwork which connects the two pillars. Counting
the squares, we find that there are
32 apertures. I was sort of
surprised but in some way wasn't at all, because as you can see in the
next picture, the eternal flame honoring the unknown Brazilian soldier
is....
....an inverted pyramid.
A
look over to the other side of the above ground part of the monument,
one sees another table-like slab sheltering three figures, representing
the three branches of the Brazilian armed forces. Be that as it may,
already primed by the number 32, I could not help but recall the basic three degrees of Freemasonry, or even the
Three Ruffians. That said, I realize that this is more my own poetic invention than anything else. This
entire portion of the monument is supported by what appears to be an
inverted pyramid. What you cannot see so well in this photo is that
this pyramid also incorporates a right side-up pyramid into its design,
forming an out-of-proportion and three-dimensional visual corollary to
the Masonic Square and Compasses.
A
variation on this design can be found in the crypt, where the same
pyramid/inverted pyramid design is used to support the above ground part
of the monument. I would imagine this to be a structural necessity to
reinforce the load-bearing smaller tip of the inverted pyramid. As a
design choice a pyramid is logical as the Egyptian pyramids are probably
the most famous tombs in the world and were already ancient in Jesus'
day. A funeral monument is supposed to preserve the memory of the
dead. Why not choose a design that has proven its functional and
psychological staying power?
Everything
is a pyramid on this monument. Even the steel that carries the
dedication inscription is a perfectly small pyramid of the tetrahedron
variety.
Finally,
in the small court which allow light into the underground crypt, there
are 8 triangular plaques. Sadly, I neglected to note what these plaques
specifically honor.
~~~~~~~~~~~~~~~~~~~~~~
Phew! What a "tour" de force of examples I found! Now, let's get back to Positivism, as I promised in the intro. I
think there's a lot more to be said about the role of Freemasonry in
Brazil's history, as well as its influence on Positivism. Positivism had a big impact in Brazil, especially among the
military, and it would be hard to study one without studying the other.
I'm not much of a philosopher, or I'd have a go at it; however, there already
seems to be quite a bit on the subject available so I'd suggest pursuing it further online. Still, a few words on
the topic are in order.
Positivist themes have existed
in Western thought since antiquity, but here we are concerned by the
Positivism articulated by August Comte (1798-1857). His
Positivism "states that the only authentic knowledge is that which allows
positive verification and assumes that there is valid knowledge only in
scientific knowledge."
But science and reason were not
enough, some kind of religious framework was required. Comte
formalized his Positivist system in the
Religion of Humanity
based on his belief that "there should also be a religion that
would have power by virtue of moral force alone." He even went as far
as to propose a new calendar, as in the French Revolution, where the
months were named after great thinkers. Each day also had its own
patron thinker, just as in the Catholic calendar each day has its saint.
His was a complete system of liturgy, sacraments and clergy; Humanity was venerated as the
Nouveau Grand-Être Suprême (New Supreme Great Being), which evolved into a trinitarian system with the addition of the
Grand Fétish (the Earth) and the
Grand Milieu (Cosmic Space).
Islam has five pillars, Positivism has three:
As I stated earlier, Positivism became quite popular among the
military in Brazil during the reign of Pedro II. In Brazil, this was
formalized when philosophers Miguel Lemos and
Raimundo Teixeira Mendes
founded the Positivist Church of Brazil in 1881. They were joined by
Benjamin Constant. Constant was a military officer and a Freemason, a
leading figure in the 1889
coup d'état which ended the reign of Pedro
II. The 1891 constitution named him the "the founder of the Republic".
In 1897 the Positivist Church became the "Temple of Humanity". The Temple exists to this day.
The
Temple of Humanity is another legacy of the French Revolution. In 1792
the most radical elements of the Revolution formalized revolutionary anti-clericalism in the
Cult of Reason,
an atheistic system to designed replace Christianity. "The Cult of
Reason was explicitly humanocentric. Its goal was the perfection of
mankind through the attainment of Truth and Liberty, and its guiding
principle to this goal was the exercise of the human faculty of Reason."
In 1794, Maximillien de Robespierre supplanted the Cult of Reason with the
Cult of the Supreme Being.
As its name suggests, it was not atheistic--and it was the atheism of
the Cult of Reason which most disturbed Robespierre. In his Cult,
"reason is only a means to an end, and the singular end is virtue ...
The primary principles of the Cult of the Supreme Being were a belief in
the existence of a god and the immortality of the human soul."
These
principles sum up the principle spiritual
tenets of Freemasonry. It was one of the last straws, however, for
Robespierre, and his cult
pretty much disappeared after his execution in
1794. It was later officially banned by Napoleon.
But
in a sense, the Cult of the Supreme Being did not entirely disappear.
It lives on in the Temple of Humanity, churches of which exist. Brazil still has, after France, quite a few Positivist churches, one of which is in Rio de Janeiro; it is oriented, like a mosque towards Mecca or a Cathedral towards Rome, towards Paris.
Positivism's influence in Brazil is demonstrated on
its flag. The first flag was proposed by Rui Barboas, a Freemason, but
it was rejected by provisional president Deodoro da Fonseca, military
officer and Freemason. Teixeira Mendes suggested the celestial globe
and the Positivist
motto.
His ideas were presented to Fonseca, who promptly accepted them. The
flag was
designed by a group formed by Mendes, Miguel Lemos,
Manuel Pereira Reis and Décio Villares. It was officially adopted on
November 19, 1889. None of these men were Freemasons, but they were all
Positivists, except Reis.
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27-star version of the flag adoped in 1889. Wikipedia.
|
|
|
The monuments we've studied here, however, are the visible sign
of invisible currents;
either flotsam or roadsigns depending on whom you think remains in power. I think it's important to bear in mind that while
I'm focusing on Masonic symbolism, quite a few of these monuments aren't
linked to the craft in any other way save for their form. The obelisk
is not only a Masonic marker; St. Peter's Square boasts a genuine
Egyptian obelisk and the Vatican is certainly the last place to go
looking for Freemasons.
Brazil is pretty wild in its
architecture, and if you go looking for pyramids in say, São Paulo and
Brasilia, you'll find more than one example. Likewise obelisks. I know
because I came across quite a few examples in those cities while
looking into those in Rio. I limited myself to Rio because there are so
many to deal with already, but also because I actually saw these things
with my own eyes. This relates to my desire to process the things I've
seen in my travels, to order my thoughts, and to give meaning to my
experience. Order and Progress, wot?
Please, if I've made any omissions or
errors, don't hesitate to comment or contact me. Rio's a big place, and I'm
sure more is out there.
Let me repeat: I'm sure of it. There's an enormous
streetlamp in the form of an obelisk in a compass rose on yellow streets in the Praça Espanha in
Ipanema, but I didn't actually see it. You can Google it though, and
report back.
Happy hunting, and we can't wait to hear what you find.
Thanks to the Gid, who, as in times past, helped untangle the mess I made when I wrote myself into knots. Gid also suggested breaking this post up into several "micro-posts" -- a suggestion I vetoed. If this post is too long and unwieldy, then, the fault is all mine. Likewise the content.
