Showing posts with label hands. Show all posts
Showing posts with label hands. Show all posts

Sunday, January 22, 2023

Runnin' with the Devil....

Shout at the Devil

This statue of Lee Roy Selmon sits in a small park near the expressway that bears his name.

Selmon wears the number 63, now retired, he wore when he was on the way to becoming a Tampa Bay Bucs and NFL legend (3 sixes?  As in 6-6-6?)  But over that he wears the casual business clothes that he wore on his way to becoming even more beloved in the Bay Area as an entrepreneur and a businessman, philanthropist, and USF athletic director.

I don't know much about Selmon, but he is said to have been an extremely "gentle" person, and many have argued that he was the best defensive end/tackle in NFL history.  He died after a massive stroke at the age of 56.

A few years back Tampa's USF (University of South Florida) decided to create a football program. I mean, damn, UF's Gators and FSU's Seminoles are football powerhouses, so why not try and create that magic in Tampa?  We have something in the water apparently.

I guess being known for football would be a better claim to fame for Tampa than its reputation for having a copious number of truly seedy dive bars and strip clubs!

I prefer to think it's the Death Metal, or even the Goth subculture.  Or even the Bro Bowl....

Lee Roy Selmon helped make the dream of being a college football town possible. USF's mascot:  the Bulls.  Hence the horns being flashed by Selmon.  Or is it "I love you" in sign language?

But dig it!  Selmon is using the side sinister, the left, as in the left-hand path.  Hail Satin!  Oh you devilishly smooth [black] fabric.  

I down another absinthe, light another taper, and sharpen my quill....Bauhaus plays in the background and the shadow of a spider wavers on the wall, the taper sputtering as a good, little flame gets going....

The Lee Roy Selmon Expressway used to be called the Crosstown Expressway.... Crosstown....Cross Town.  Tampa was a Cross Town, but that's gone now; the vanquished messiah replaced by a warrior of sport and business, realms of physical prowess and acquisition, material pursuits, victory.... 

Selmon's "devil horns" are a Satanic mudra blasting those values loud and proud.  

The word  "Tampa" is often said to be a Timucua word meaning "burning sticks."  This probable folk etymology is due to Tampa's once booming cigar industry.  Hav-A-Tampa was still a big brand of stogie when I was a lad, and are still sold today, though they should probably be called Hav-A-Ponce, cuz they're made in Puerto Rico....

It ain't burning sticks, but burning souls!  Hook-em horns!  And reel-em in, straight to Hades!  Mwah-ha-ha-haaa!  The elevator music on the neverending journey to Abaddon, recorded at Morristown.... located in, get this, the neighborhood of Sulphur Springs....

Obviously, I'm being facetious.  I just can't resist documenting any time I see a photo of someone flashing the "devil horns."  But this ain't no photo, it's a full-time, 8-foot sculpture of a Tampa legend.  I'm sure the ire of the fundamentalists can be found online easily enough.

The website of sculptor Joel Randall.

Tuesday, October 16, 2012

Alpha -- Zeta

The Narco Bible
In a gunfight on Sunday, Oct. 6, Mexican marines killed Heriberto Lazcano, aka “El Verdugo,” described as the leader of the Zetas cartel.  (Perhaps "a" leader is more accurate, as other reports have it that Miguel Treviño Morales took control of the group in August....which could explain how Lazcano was located).  The day after, masked gunmen raided the funeral home holding his body and spirited it away. 

The Zetas are an especially brutal cartel, one faction in a drug war that has left over 50,000 dead in the last six years.  War is truly an apt description, but does little to evoke the almost surreal scale of violence in parts of Mexico, routinely involving beheadings, dismemberment and the public display of body parts.  In one case we've mentioned on LoS, 6 victims had their hearts cut out; in another, 5 human heads were found in ice chests.  This is only the tip of the iceberg; mass killings have involved victims numbering into the dozens....70+ in a mass grave here, 49 headless bodies by the roadside there.....

This graphic helps visualize the numbers.

LoS readers will have recognized that "death and dismemberment" is one of the blog's long-standing interests.  Beheading, de-handing, lost arms, floating Canadian feet....we've covered it.  It's a macabre field of inquiry and perhaps we sometimes laugh a little too easily, but rather than take this as a sign of cruelty, try to see it as a kind of psychic defense against the steady bombardment of our conscious and subconscious minds with violent images and information.  It's enough to make one want to stay home all day with the doors locked; a little laughter is a good dose of anti-paranoia medicine.

Dismemberment is a powerful and distressing tactic, hitting us almost physically; in all other respects being equal, I think it affects us more than a "mere" killing does.  A severed limb or head is somehow humiliating, adding insult to injury, as it were.  It's also a lot more creepy to think of either the perverse commitment it takes to actually dismember a corpse...or the killer whose flare of passion has erupted and now, back to reason, must find a way to dispose of his victim.  On some primal level, even the least superstitious among us might feel that desecration of the corpse makes it harder somehow for the dead soul to rest in peace, to pass on to the other side.  Desecration is rich in symbolic import, poetic resonance and archetypal gut-punchery.

I went over this quite a bit in a post about the theft of St. Laurence O'Toole's heart and the power of relics.  I would reiterate that in the cult of the saints, a piece of the saint's body is often regarded as the most vital sort of relic, that in this case dismemberment allows for the spiritual wealth to be shared; the part is as powerful as the whole, and a small fragment of bone is enough to get the job done.  The power of the body part is deftly illustrated.

At the time I wrote that post I was reading an anthology entitled Death, Dismemberment, and Memory: Body Politics in Latin America.  I had a brief correspondence with contributor Dr. Donna Guy from OSU about her article on popular saints and the Pérons in Argentina.  The whole book is highly recommended, but her essay is a very enlightening stand-out.  Rebels, outlaws, usurpers and the usurped, the ways in which the remains of the dead are used by the living form a rich and variegated historical canopy, an interesting point of entry into wider historical issues.

Without re-hashing every detail, suffice it to say that the power of the corpse should not be underestimated and in this anthology is illustrated by the post-mortem fate of several famous political figures from various Latin American countries.

The Obama administration realized this power when they made the decision to quickly dispose of the body of Osama Bin Laden after he was clubbed to death by SEALs (LoS post), ostensibly to avoid allowing his buried remains to become the focus of a pilgrimage site.  The practical benefits of this denial are inexorably bound with its symbolic and spiritual aspects.  (I'd found it odd that Lazcano was described as having been killed by the Mexican navy, but a navy team killed Bin Laden, so why not).

The same rationale was applied to the corpse of Che Guevara, whose dismembered body was scattered for the same reason Bin Laden's was dumped into the sea.  Che's remains were eventually re-patriated to Cuba and are located in an elaborate memorial there.  But in the interim before Che's re-interment, a more humble and organic shrine had developed.  At the site of his death, there is no corpse, but there is a folk cult of a saint--no longer "in the making"--but pretty much already canonized.  Locals venerate Che as a saint alongside established Catholic models, complete with relics, candles and prayer.  All the trappings of your typical saint.  Here we can juxtapose the power of the corpse both as Cuban state propaganda, like Lenin in Red Square, as well as something more spontaneous and "natural":  a saint created from popular devotion, outside the canonization process of the Church, and often at odds with it (see Héléna, the cemetery saint).

Then there is the case of Juan Perón.  The grave robbery which led to the amputation and subsequent ransom of Perón's hands (with their own Wikipedia page) was ostensibly about an 8-million dollar ransom, but it also had the potential to lead to other tangible political results.  Symbolically, it was an extremely powerful act.  More striking perhaps than a castration; both render the once mighty man in his splendid tomb somewhat ridiculous, pathetic and impotent, but the removal of hands seems much more mysterious.  The public never saw his penis, so if it disappeared....?  The public knew his hands, and the imagination can work much more easily when it can envision what once was, gone.  As Wikipedia points out, Lyman, editor of Death, Dismemberment, etc. argues that the theft was "a catalyst to destroy the symbolic cult of Perón".

Eva Perón's body also suffered indignity in death; her corpse was ignobly shuffled about before returning to Buenos Aires.  After the military coup of 1955 her body disappeared.  It was secretly put into a crypt in Milan under the name María Maggi (Mary Magdalen?).  "Evita" was exhumed and repatriated in 1971, placed in an elaborate and highly secure tomb, which has become a popular shrine, and she, revered like a saint.   What is important is that her body has remained intact.  In his essay on "Latin America" in The Oxford Illustrated History of Christianity, John McManners "claims that Eva Perón consciously incorporated aspects of the mythology of the Virgin and of Mary Magdalene into her public persona."  In this case, the theft of the body demonstrates its importance; but at least it remained whole and undefiled. 

Talk about laws of silence:  at the time when Evita's body was being hidden, the military had outlawed even speaking the name of the Peróns in public.  The missing body was part of a wider effort to wipe them out of public memory.

This "body politics" dealy is what caught our eye upon seeing the titles of articles about the killing of Heriberto Lazcano.  The titles of the articles I've seen are telling.  The Washington Post article:  Zetas cartel founder killed, Mexican navy says; masked gunmen steal body.  The New York Times:  Mexico Kills a Drug Kingpin, but the Body Gets Away.  The fact that the body was taken is as important as the death itself.

The tangible results of his death will depend on the follow-though by the Mexican authorities and the inner organizational strength of the cartel itself.  Perhaps he was an irreplaceable strategist whose absence will seriously undermine the power of the cartel, or perhaps a capable lieutenant will step in and assume the duties.

Maybe in the resulting power struggle, violence will flare up; hopefully, the contenders will stick to killing each other as opposed to the hapless police, prosecutors, journalists and assorted bystanders gunned down and carved up in alarming numbers.

The propaganda value of Lazcano's death should have been enormous.  The Mexican government would have been able to hold it up as a success, as way to show the public that the police have scored a victory in its ongoing fight against the narco-traffickers.  But the brazen "theft" of the body mitigates the symbolic value of the victory, if not rendering it completely void.

As the cliché might have it, this cartel boss wields the power to confound the state from beyond the grave.

Mixed up with this propaganda and symbolic value is a spiritual mytheme that is all the more potent for its deep and long presence in Western thought, found among some of the earliest known mythology.  The myth of Set and Osiris seems relevant here.  Egyptian religion was a dominant Mediterranean cultural influence over a period of centuries, even millennia, and it is still today relatively well-known among the educated public, especially among students of esotericism, the occult and ritual "magick".

Plutarch tells of a conspiracy wherein Set conspired to assassinate Osiris.  Set tricked Osiris and trapped him in a box he then tossed in the Nile.  Osiris' wife Isis searched for his remains and found them embedded in a tree trunk supporting the roof of a Phoenician palace.  In some versions of the story Osiris is resurrected and impregnates Isis, dying afterwards.  Sometime later, Set discovers his body and becomes enraged, tearing the body in fourteen pieces which he scatters across Egypt in an attempt to deny him a proper passage into the afterlife and to erase him from memory.  Isis then reassembles the pieces (except his penis) to be buried anew.  The Gods then resurrect Osiris again, making him god of the underworld, often associated with the flood and retreat of the Nile.  The underworld and the Nile.  Need one say more?  The importance of these aspects of Egyptian civilization cannot be overstated, and Osiris, dismembered, becomes associated with these aspects after being re-membered, so to speak.

In another version Osiris is murdered by his brother Typhon, identified as Set.  Typhon divided the body into 26 pieces and distributed them among his co-conspirators.  After Typhon was killed by Isis and Hercules/Horus in revenge, these parts were recovered (excepting again the phallus) and buried in secret locations.  She did, however, make replicas of the parts and distributed them throughout the land, where they became shrines to Osiris.

History doesn't lack for examples of how final resting places and death sites become places of worship.  The graves of famous men and women become shrines, this is a fact.  Hence the Soviets' diligence in ensuring that the remains of Hitler were never given a grave.  Indeed, what exactly happened to them is a mystery, but they were buried and exhumed no less than 8 times, burnt, mixed with ash and thrown into the Biederetz River, if Pravda is to be believed.  It would also explain why some Egyptian Pharoahs destroyed rivals' monuments or effaced their inscriptions.

Closer to home perhaps, is the story of Jesus.  While not dismembered, the fate of his body had a decisive effect on the history of Western Civilization.  After his crucifixion, the three Marys went to his tomb to anoint the body and discovered that it had disappeared.  Unlike the disappeared body of Che and Bin Laden, the lack of a body here was proof of the resurrection and turned what had been a less-than-desirable end into the founding myth of Christianity.  For over a thousand years history was driven by the story that a body wasn't where it should have been!

In one of the earliest post on LoS, we translated a Mafia initiation ritual which involved vaguely occult practices.  One Mexican cartel based in Michoacon refer to themselves as Templars.  And another early LoS post speaks of Jesus Malverde, a kind of saint among the drug traffickers, so prevalent that shrines erected in his honor are regularly bulldozed by the Mexican authorities as part of its fight against them.

Thus a criminal battle extends into the spiritual realm.  Malverde is the patron of narco-traffickers, especially their hitmen.  Given the extreme level of brutal violence in the ongoing drug war, it's tempting to frame the cartels as a kind of death cult, with killings performed if not exactly for Jesus Malverde, than at least with Malverde being thanked and honored.  There's a fine line between thanking a saint for services rendered and performing actions in that saint's honor.


Malverde, however, was a Robin Hood kind of figure, and it's hard to see the Zetas, who regularly brutalize the poorest and most disenfranchised of Mexicans, honoring that legacy.  Yet, at times the cartels do in fact serve as a kind of local benefactor, spreading their largesse among those they deem worthy.  The price of disloyalty and collaborating with the forces of order are high, but there are rewards for helping the cartels, if only by remaining silent.  Malverde is referred to as the "angel of the poor" and a "generous bandit".  Clearly, the traffickers play upon this mythology; a whole sub-genre of  music, the narcoicorrido, celebrates their exploits and continue to thrive despite sporadically being banned from the radio.

The Sicilian Mafia itself began as a kind of political entity, a guerrilla force, which was probably from the get-go a kind of brigandry.  A number of political and revolutionary secret societies borrowed ritual elements from sources such as Freemasonry and over time mutated into criminal enterprise.  Tale for example, the FARC.  Are they really Marxist rebels these days, or are they drug traffickers, extortionists and kidnappers?  In method, they're not much different from a cartel, despite the vestiges of revolutionary ideology.

This brings us back to the Templar cartel, who have been described as "quasi-religious" and who apparently use initiation rituals described as "cult-like.  What these rituals consist of is anyone's guess, but police have reported finding plastic Roman centurion helmets they say were used in initiations.  Back in March,it was reported that 120 helmets had been found.  That's a lot of initiates!  Perhaps the initiations include passion plays?

Whatever the case the Templars do have a veneer of a spiritual and revolutionary mission, explicitly setting themselves up as contemporary Malverdes.

The Templars were so named in 2011 from the remains of La Familia Michoacana.  According to Wikipedia, Familia leaders Nazarion Moreno González and Méndez Vargas called their assassinations and beheadings "divine justice".  The cartel's spiritual teachings are influenced by Swedenborgian interpretations of the New Jerusalem.  Swedenborg's idea is that "the New Jerusalem described in the Bible is a symbol for a new dispensation that was to replace/restore Christianity."  Mormonism's founder Joseph Smith was heavily influenced by this interpretation, which which finds support in the writings of Karl Jung, as well as in New Thought.  La Familia's "boss and spiritual leader"  published a spiritual work mixing "evangelical-style self-help with insurgent peasant slogans" based on the work of John Eldredge, a contemporary American Christian author, lecturer and counselor.  Apparently his work is required reading for gang members and the cartel has provided funding to circulate Eldredge's writings.  The cartel promotes religion and family values, doesn't tolerate substance abuse or the ill-treatment of women and children and includes regular attendance at prayer meeting as an advancement criterium.  The cartel also distributes money to those in need and manipulates the local media into singing its praises.

"Social justice" is one of their aims and when the pope visited in 2012, they put up welcome banners and promised to refrain from violence during his visit.

Nazario Moreno was shot dead by police in December 2010 in a gunfight, but he lives on, reportedly worshipped as a saint himself!  MSNBC:

"Soldiers raiding criminal safe houses in the western state of Michoacan have recently found altars topped with three foot high statues in the image of Moreno, shown in golden medieval armor and carrying a sword. A local verse dedicated to the dead trafficker invokes him as a supernatural force.

"Give me holy protection, through Saint Nazario, Protector of the poorest, Knights of the people, Saint Nazario, give us life," goes the "Prayer to Saint Nazario".

Now calling themselves the Knights Templar, after the medieval military order that protected Christian pilgrims during the Crusades, members carry a code book decorated with pictures of cloaked knights with red crosses."

So the process of sanctifying outlaws is not merely an historical phenomenon, the process is ongoing; the "narco-saint" is a type of folk saint.

When I began this post, I set out to put the theft--or recovery--of Locanzo's body in the wider context of "death, dismemberment and memory" in Latin America.  In searching to widen to spiritual scope, I recalled the mafia initiation rituals, which bring the criminal organization closer to the secret society, of which a mafia undoubtedly is.  I went on to the idea that these mafias, or cartels, even have their own pantheon of saints; in the north, Jesus Malverde is lauded in song, and shown devotion by ruthless hitmen.  Death itself is also worshipped, making these cartels something like death cults.

In Michoacan, however, the "Templar cartel" has sanctified one of its original leaders and functions more clearly like a sect.  Recruiting among addicts, it exhorts its members to clean living and prayer.  All the while cutting heads off in the name of God and Saint Nazarion, author of their spiritual text.  Interestingly, the stated goals of the cartel include social justice, dignity and peace for the campesino.  The Robin Hood meme in full effect.

They are also ruthlessly dedicated to eradicating the Zetas, which adds an interesting element into the mix.

The Mexican drug war is certainly a war for power and narco-dollars, but could there also be an underlying spiritual battle being waged?  Is the idea of social justice a la Robin Hood and the "apotheosis" of former leaders a ploy, or a genuine belief?

And will Heriberto Lazcano become a saint?

Friday, September 9, 2011

Somewhere over the Rainbow

Armand Cambon, La République, 1848-1849

Like everywhere else in Europe, the first half of the 19th century was an especially turbulent time for France:  the First Republic (1792-1804) gave way to Napoleon's Empire (1804-1814/15), in turn followed by the Bourbon Restoration (1814-1815--"The 100  Days"--1815-1830).  The July Revolution of 1830 led to the so-called July Monarchy of the House of Orléans, which ruled until 1848.  In 1848 the Second Republic was established and the year is considered as the end of France's "revolutionary era" (The current state, btw, is no less than the Fifth Republic, proof that the turbulent times were far from over!)

In any event, to celebrate the newborn Second Republic, a competition was held to find a painting that could be displayed in town halls across the country.  Between 1848 and 1849, Armand Cambon created the painting above as his entry (he didn't win).  La République is a symbol-heavy allegory and many of these Republican symbols are quite obviously also Masonic.  But as I've said before, half-jokingly, what symbol isn't?

According to the website for the museums of the Midi-Pyrenées, the woman is an allegory of the Republic, or perhaps the Law, crowned with a victory laurel, thus recalling the recent overthrow of the last French monarch Louis-Philippe.  The flag crowned with the eagle and the lion immobilizing the serpent symbolize the Republic's capacity for defense.  The clasped hands, the square and the hand in benediction represent Equality and Justice; the beehive, Fraternity and Work.  The tricolor rainbow is said to symbolize the glory of Republican government.  (We've seen the hand before on Urbain Vitry's tomb, 1863.)

I feel that this is a simplification of the symbolism.  I can't vouch for Cambon's intentions, but let's take the clasped hands as an example anyway.  I've always read that they symbolized Fraternity and/or unity.  It wouldn't be too far a stretch to assume it also hints at a new social contract between citizens.  Not quite the same as the interpretation above.

Of the symbols in this painting, the square, the clasped hands, the beehive and the rainbow are still regularly used in Freemasonry.  The eagle might also be a not entirely implausible link as well.  A double-headed eagle is used in the Scottish Rite, but more importantly, it is also the symbol of St. John the Evangelist, one of the two patron saints of Freemasonry.  St. Mark, for that matter, is symbolized by a lion, and while I'm not saying the eagle represents St. John, I'm sure the lion is more a symbol of strength, dignity and leadership and is even less likely to have a connection to the evangelist. 

What I find interesting about this lion is that he is subduing a serpent, most likely the sneaky enemies of the Republic, which in and of itself is not so remarkable; what is striking here is that the image of a subdued serpent has a long history in Marial iconography, or what George P. Landow calls "prophetic typology"....the Virgin vanquishing Satan and Original Sin.  I propose that Cambon is making a sly anti-clerical statement here, tweaking the nose of would-be counterrevolutionaries in the Church, the lion has replaced the Virgin, but this is not an air-tight case by any stretch of the imagination.

Let's also look a bit more at the rainbow.  Another website about Cambon's painting bluntly states: "L’arc-en-ciel est un symbole de fraternité."  The rainbow is a symbol of Fraternity.  So we already have two differing interpretations and I'm not sure either quite gets it right.

The most famous rainbow in Western Civilization involves the story of Noah and the Ark.  It is a rainbow which indicates that God entering a new compact with Man.  Genesis 6:17:  "And I will remember my covenant, which is between me and you and every living creature of all flesh; and the waters shall no more become a flood to destroy all flesh."  Compare this to the Epic of Gilgamesh: 

Then Ishtar arrived. She lifted up the necklace of great jewels that her father, Anu, had created to please her and said, "Heavenly gods, as surely as this jeweled necklace hangs upon my neck, I will never forget these days of the great flood. Let all of the gods except Enlil come to the offering. Enlil may not come, for without reason he brought forth the flood that destroyed my people." 

The value of such a symbol for the French Revolution is self-explanatory.  The Revolution wiped away the old to make way for a new, more lawful order.  Interesting that the first interpretation of the allegory has the women as either the Republic, or the Law.  The rainbow appears just after God has set before Noah a reiteration of the laws he gave Adam and Eve, having added a seventh.  Sealing the deal with clasped hands?  This last law is a kind of meta-law, as it calls for establishing courts of law.

The Jewish Noachide Movement also uses the rainbow as a symbol, the seven colors representing these Seven Laws of Noah which are binding not just for Jews, but for all humankind.

Gilbert Stuart, "Lansdowne portrait", 1796

The rainbow is also featured in the famous "Lansdowne portrait" of George Washington.  In this symbol-heavy piece, storm clouds are to his right while to his left a rainbow appears.  Certainly the story of Noah is being evoked here to represent that the American Revolution, if not Enlightenment ideas, were leading to a "new world order" to coin a phrase, of peace and progress.

A Washington website (where you can explore an interactive version of the portrait) has this to say:

The Masonic rainbow is sometimes interpreted as the Arch of Heaven, supported by the pillars of Wisdom and Strength. A rainbow appears in the ritual apron given to Washington by Marquis de Lafayette, his comrade-in-arms in the Revolutionary War. 

Indeed, the pillars of Wisdom and Strength (two of the seven Biblical Pillars of Wisdom) will return to our story as towers.  The website in question features a detail of  the rainbow ending not in a pot of Lucky Charms, but on a pillar topped by a globe in the fashion of Jachin and Boaz.

A striking Masonic link with Cambon's symbolism is to be found in the logo of the International Order of Rainbow Girls:


Rainbow Girls logo

A tricolored rainbow in the French and American colors arcs over a pair of clasped hads.  The Masonic delta is prominent and the hemispheres in different colors, like the colors in the Noahide flag, represent 7 virtues.

This order was created by Freemason Rev. W. Mark Sexson (ha ha) in 1922, based on the Order of DeMolay for boys.  DeMolay also promotes 7 cardinal virtues.  Could the number of these virtues be a reference to Noah's laws?  Given the rainbow, it is quite possible.

Another Masonic rainbow is found in the Royal Arch, an additional set of degrees in the York Rite, considered at one point to be a continuation and completion of the 3rd Degree in regular Craft Masonry (1°-3°).  As a visual metaphor, the rainbow reappears in various Royal Arch contexts.

Indeed, it has been shown "...showed that the Rainbow symbol formed part of an early Royal Arch ceremony..."  But the tradition of associating the Rainbow and the Arch continues.


It has been said that “The Royal Arch stands as the rainbow of promise in the ritual; it stands as promise of the resurrection; of that which was lost and shall be recovered.” The Royal Arch accepted the rainbow, that God put in the Heavens as a covenant between God and man, that he would not destroy the world by water again-but by fire.

I don't know where exactly this has been said, but I found the same quote here.  Dig also the following:

While Zerubbable was a "Prince of Judah" as proclaimed by Cyrus, another "Prince" was coming, a Prince of Peace.  One that would establish God's kingdom in the hearts of man, causing each to be a "Temple of God."  The covenant as exemplified by the rainbow, the Royal Arch of the Noahchide promise, must give way to the Royal Decree of, "This is my beloved Son.  Hear ye Him!"

I'm not exactly sure what that means, to be honest.  I should also point out that Mackey's Encyclopedia does not contain an entry on "Rainbow".  Which is actually quite surprising and leads me to wonder if perhaps I'm not making too much of the symbol's Freemasonic usage.  On the other hand, it's appearance in the contexts descibed above are a legitimate connection, so I'm not exactly sure what to make of it.  The proposed meanings seem contradictory and confusing.

Perhaps there is another explanation: 

"[James] Anderson’s reference to Masons as ‘Noachidae’ was not simply harking back to an early tradition. As a ‘basis of that natural religion’ on which all Masons can agree he is here suggesting that we are those who accept the Noachite Laws as our standard."

Noah again....

For the moment, however, I would like like to return to the following quote and look at the Honduran coat of arms. 

The Masonic rainbow is sometimes interpreted as the Arch of Heaven, supported by the pillars of Wisdom and Strength.




The Masonic imagery in this coat of arms should be obvious: the delta, or pyramid, forms the backdrop to a radiant rising sun, which was originally a Phrygian cap--one of the most ubiquitous of symbols from the French Revolution.

Spanish Wikpedia says the rainbow symbolizes peace, the unity of the Honduran family and high ideals. The triangle signifies equality before the law.  The castles represent the conflict between the Aboriginal Hondurans and the Conquistadores. The rising sun symbolizes freedom, patriotism and hope.

The two castles, or towers, also bring to mind those the pillars of Strength and Wisdom, aka Jachin and Boaz, which support the Arch of Heaven, or rainbow, and which would appear to be depicted in the Lansdowne portrait of Washington.

The Wisdom and Strength of the Republic are essential meanings contained within Cambon's symbolic painting.

We have long spoken on LoS about the symbolic meaning of pillars at the entrance of sacred space, perhaps too much, but I did come across an interesting discussion about the symbolic meaning of two towers in church architecture--or lack thereof--which I'd like to quote:

The earliest of walled permanent human settlements had access gates flanked by towers for defensive and observation purposes. Since the city/city state was the most important thing in most people's eyes, these gate towers were not only defensive, they marked the entrance into an "important space." As these cities grew and other "important spaces" were incorporated within them, such as temples, etc, these spaces were also entered through doubly towered gates. The concept of 'towered entry' to important space had carried over from the symbolism of the city gate towers themselves. Pairs of large single stones frequently mark the entry to sacred space from the earliest of times. The great temples of Egypt were fronted by twin pylon towers. The gate towers of many ancient cities became works of art and symbols of civic pride. 

..."Two" may have started out as a practical form of defense for a gate type or restricted space, but "two" was also recognized as something of visual balance - or to give balance to something else... 

... 

Any symbolism you may find regarding the subject would be rather recent in origin and an example of "symbol emerging from utility"rather than symbolism actually driving the original design. 

I think there is a lot of merit in this argument, but on an "archetypal" level, the evocation of Egyptian and (to my mind) Phoenician sacred architecture belies the "symbol emerging from utility" argument.  Medieval architects were certainly aware of the appearance of Solomon's Temple, designed by a Phoenician, so it's quite possible that this symbolic heritage entered into the equation, not instead of but in addition to the process described by this author.  Which brings up an important point when discussing symbolism in general; once one thing has become widely accepted to represent another, its use will multiply exponentially.  Thus when we see symbols in Freemasonry repeated (or borrowed) from other contexts, we should remember this point.

I'm not sure I want to make too much of these towers as a substitute for Jachin and Boaz, but I can't help but think of this idea of strength, or earthly power and wisdom, or divine insight as being both sides of the same coin.  Or the same side of different coins, no matter!  I also cannot help but think of the Toulouse coat of arms, surmounted by a crown composed of three towers, while the shield itself has an image of a castle and a church: earthly and spiritual authority side by side.  Some have proposed that this is, in fact is the significance of two pylons or obelisks in front of Egyptian "important spaces", thus leading via Solomon's temple into Freemasonic usage.  But this leads us deeper into a realm of unsubstantiated speculation.  I have in fact already posted about Masonic imagery in Latin American heraldry, and towers don't figure into those images at all.

We could add that the coat of arms of the United Grand Lodge of England, the closest thing to a world authority for Grand Lodge (as opposed to Grand Orient) Masonry, features a coat of arms with three towers, among other things.  I wonder too, out of the blue, if this is why Mary Magdalen, whose name itself means "tower," is often pictured wearing a crown in the form of a tower, as if eartlhy might rests upon the seat of wisdom.

It may also be worth examining at some point the Empire Sentinels.  This was a Scouting group founded by Major David Cossgrove in New Zealand circa 1910;  Sentinels were organized into “Towers” and the scheme had three degrees based on religious duty, patriotism, sacrifice and work, each with a corresponding “Watch,” or ritual.  The watchtower is an important symbol in the ritual and organization.  It was also influenced by Masonry, which is reflected quite clearly in it's rituals.  Watchtowers are also an important feature of Enochian magic.  Enoch is the seventh of ten antediluvian patriarchs and is also usually referred to as an "ancestor" (great-grandfather) of....Noah. 

I think at this point I need to make like Ham and delve deeper into Noah.  This is the second time he's popped up withing the context of symbol-heavy French allegorical paintings (first time was here), and this Noachide Movement is intriguing....

Monday, May 2, 2011

No body home

First thing I heard on the radio today is that Osama Bin Laden has been killed in Pakistan by US forces.  Checking it out later I saw in the NYT that the "Body is Buried at Sea".

The CIA did this disappearing act with Che Guevara--hide the body so there would be no shrine potential....come to think of it, that's why the Russians burned Hitler's corspe, no?

In 1997 Guevera's remains were found, exhumed and transferred to Cuba where they lie in a mausoleum and monument.  Even his hands.  Hmm?  These had been hacked off and sent back to his native Argentina to be preserved in formaldehyde but were later sent to Cuba.  Odd, eh?  Ten years prior, 1987, Argentine leader Juan Peron's tomb was desecrated and his hands cut off with an electric saw.  An investigation into the matter was inconclusive and some involved in it died under "questionable circumstances".  Wikipedia states that "In their book Unveiling the Enigma, writers Damian Nabot and David Cox write that the P2, also known as the Propaganda Due, were involved in the theft, and that there was a ritual involved in the cutting of Peron's hands".

CIA National Security Archive, 1967.
Che has in fact become exactly the folk saint the authorities who hid his body feared: 
"It's like he is alive and with us, like a friend. He is kind of like a Virgin Mary for us. We say, 'Che, help us with our work or with this planting,' and it always goes well."
— Manuel Cortez, a campesino who resides next to the schoolhouse where Guevara was executed.
I find it significant his body was displayed in a laundry, as if to clean Che from collective memory before hiding him away.  But hey, there's nothing like a missing body or empty tomb to base a religion upon....

But I'm getting away from Bin Laden.  I must admit, so quickly disposing of his body raises alarms bells in my prone-to-be-skeptical brain.  I'm not saying there's something, er, fishy going on, but you can bet half the internet will.  Seems like a perfect psy-op to me.  Without any thorough independent examination of a body hastily disposed of, there will always be suspicions that this was like the second Oswald.  This was the biggest manhunt in US history, the capture ten years in coming and now there is no body.  Doesn't seem like standard police procedure to me.
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http://www.sovereignindependent.com/?p=18055
I remember that Saddam Hussein employed body doubles to throw off would-be assassins.  Some have argued that it was in fact on of these hapless doppelgangers who was hanged in Baghdad....

You see, the seed already has tentative roots.  Won't be so hard for some clever dick to make it blossom.  From the comments on my Facebook homepage, that process is already well underway.  All I can say is, if you want to start a folk legend, kill the outlaw.  If you want to canonize him, hide the body....