Showing posts with label caves. Show all posts
Showing posts with label caves. Show all posts

Saturday, May 25, 2013

Down in a Hole

This post began as a continuation of my last, but as it became longer and longer I decided to make it into a post of its own.  I'd be grateful if any reader could help me out with the unanswered questions contained within, as well as adding their thoughts to the role of caverns and vaults in Masonic contexts.

Are Freemasons obsessed with Caves?

The Masonic Grand Lodge of Arizona meeting in the cave in the mine of the Copper Queen Consolidated Mining Co. at Bisbee, Arizona, Nov. 12th 1897 / A. Miller. 

In his introduction to James Shelby Downard's Carnivals of Life and Death, Adam Parfrey writes: "As seen in this book, Downard believes caves are fundamental to Masonic beliefs and ritualism, part of the secret history of the United States."  Parfrey illustrates his text with the above photo of the Grand Lodge of Arizona, which can be obtained from the Library of Congress website.

As Albert Mackey states in An Encyclopedia of Freemasonry:  "In the ceremonies of Freemasonry, we find the cavern or vault in what is called the Cryptic Freemasonry of the American Rite, and also in the advanced Degrees of the French and Scottish Rites, in which it is a symbol of the darkness of ignorance and crime impenetrable to the light of truth."

The Masonic symbolism as Mackey sees it, then, is essentially that of Plato's Allegory of the Cave.

A.E. Waite's Encyclopedia has a slightly different take:  "We come to see that the Cryptic Grades, the Royal Arch of Enoch and so forth are not modern inventions in respect of their traditional histories.  The common basis of all is of course the literal existence of subterranean vaulted chambers beneath the site of the Temple."  Ultimately, "our secret vaults are like concealed treasures [lying] beneath temples not built with hands" containing the ""Ark of our salvation" [which] bears the true Mason to Eternal Mansions and the Everlasting Presence."

Nothing untoward in either of these definitions, contrary to Downard and Parfrey suggest.

Parfrey, also mentions the underground vault of the York Rite in his handsome book Ritual America, as well as (presumably under the influence of Downard) the importance of caves to Masonry in general.  To illustrate, he reproduces the very same picture of the Arizona cave meeting used in his intro to Carnivals.  In a second photograph, without any commentary, one can discern "Volcano Lodge" embroidered on a banner.  Sadly, the patchy text is pretty much as it is with the rest of the book; it's choc-a-bloc full of beautiful images but rarely provides enough context to properly understand what we're looking at.  It's clearly organized to be sensationalist and panders to the most negative views of Freemasonry out there, but having said that, Freemasons themselves have produced many of these unflattering, silly or sometimes sinister images.  It is these images that make Ritual America, subtitled A Visual Guide, a book worth having, with the caveat that one has to look elsewhere for a more nuanced history of the Craft.

Thinking that if caves are so important to Freemasonry, there must be other examples than two photos, one of which Parfrey uses in two books, I did some Googling and came up with a few more examples of Lodges using caves as meeting places or with other Masonic connections:

Zedekiah's Cave
The cave opening [to Zedekiah's Cave] is beneath the north wall of the Old City of Jerusalem; close to the Damascus Gate. From the entrance, the main path leads south for nearly 225 meters (~740 ft) till it reaches the main large cave called "The Freemasons Hall."

This cave may really be King Solomon's quarries, anyway being a real quarry and in the vicinity of the Temple Mount. This cave has special meaning for Freemasons in general, and for Mark Master Masons and the Royal Arch in particular. Starting in the days of the British Mandate, the cave was used for the ceremony of Mark Master Masons. This was temporarily suspended between the years 1948-1968. The impressive ceremony of the consecration of the Supreme Grand Royal Arch Chapter of the State of Israel was carried out in the caves in the spring of 1969, and ever since then, the Mark degree has been performed in the caves on the average of once a year. 

These are the "subterranean vaulted chambers beneath the site of the Temple" referred to by Waite and are also mentioned in the Ecclesiastical History of Philostorgius known only through a summary by Saint Photius.

Royal Arch Cave
There is a cave in the Chillagoe-Mungana Caves National Park called "Royal Arch Cave."  I can't find a specific reference to Freemasonry but it seems unlikely that the name is a coincidence.  There was a Masonic Lodge in Chillagoe at least as early as 1907.  This Lodge became Chillagoe Lodge No. 166 when the United Grand Lodge of Queensland was created in 1920.

Can anyone can confirm or deny that this cave was named for the Masonic body?

Malheur Cave
Malheur Cave is a classic example of a large lava tube cave.  The cave is 17 miles east of Crane Hot Springs and is owned by the Masonic Lodge of Burns [No. 97, Oregon].

In 1938 two members of the lodge, Ulysses S. Hackney and Charles W. Loggan, came up with the idea of holding an outdoor stated meeting in the Malheur Cave 52 miles east of Burns. They devised a plan to use the Malheur Cave for an outdoor meeting of Masons in Oregon.  Their idea was well received, and the first official outdoor meeting of Masons in the Western United States was held at the Malheur Cave at a stated meeting, under Special Dispensation, at 8:00 pm, October 1st, 1938....After supper the Lodge was opened in the cave on the Master Mason degree, and the MM degree was conferred upon Brother Fellowcraft William Merle Bennett.

Forty-nine masons registered, and twenty-one different lodges from seven states and one foreign country were represented. Lighting was by gas lanterns.

Perhaps not such a propitious name, for malheur in French translates to woe, misfortune or bad luck.....

Eblen's Cave
A Masonic degree is conferred every year in Eblen's Cave, a natural cave that can comfortably hold 300 people. It is located 8 miles east of Kingston on the Clayton Brashears farm. Over the years, degrees have been presented by lodges from Tennessee, Alabama, Georgia, Delaware, California, Florida, Mississippi, Kansas, North and South Carolina, Virginia, Ohio and Maryland.

This event was inaugurated in 1972 "to institute an activity that would promote more interest in Masonry."

As I mentioned before, Parfrey's Ritual America also reproduces a picture of Volcano Lodge (No. 56, California), so a quick search turns up:

"Masonic Cave"

Volcano has an annual picnic usually held on the First Sunday of October at the "Masonic Cave" site (less than five minutes from the Lodge Hall). The Masonic Cave got its name from the first meetings there to organize a petition to the California Grand Lodge for a Volcano Lodge Charter.

Apparently the Lodge held some early meetings there as well.  That said:  "The caves were abandoned after five meetings when the Masons moved into their new meeting hall which they shared with the Odd Fellows, which was most likely a bit warmer and dryer."

George Washington Cave

Parfrey also mentions that George Washington used a cave as a Lodge meeting place.  Further inquiry reveals that the cave in question is George Washington Cave in Jefferson County WV.  "Tradition has it that the large three-room cave was the first Masonic meeting place west of the Blue Ridge. Samuel and John Augustine Washington were among a group of Masons who bought the cave in 1773 and in 1844 there was a major Masonic celebration there."

There a video about the cave here.  Unfortunately, there is no proof that George Washington actually ever set foot inside the cave, let alone attended Lodge there; it's merely part of local Masonic folklore.  His signature is scratched into the wall, but this could easily be spurious.  As anyone who lives in the areas where George Washington roamed can tell you, if every place that claims "George Washington slept here" is correct, Brother George would have had to have been something like 300 years old.  I just pulled that figure out of my hat, but you get the idea.  George Washington is such a towering figure that everyone wants to claim a piece of him, like pieces of the True Cross or hairs from Saint Whatchamacallit's beard.

I think anyone wanting to make a case that Masons are mad for caves does have a few examples to support their case, but the evidence is scanty at best.  Proof that Masons are doing evil and creepy things underground, like so many lil' devils, has not been documented at all, Parfrey's offhand mention of Benjamin Franklin's attendance at Sir Francis Dashwood's visits to the Hellfire Club aside.

A handful of Lodges occasionally meeting in caves really is a trifle compared to the literally thousands that do not!  Zedekiah's Cave has a long and obviously very important place in Israeli Freemasonry and the Rites mentioned by Mackey and Waite, yet this is easily explained by it's proximity to the Temple Mount and that the Temple is the central metaphor of Freemasonry.   But even this cave witnesses only one yearly event.  Eblen's Cave and Malheur Cave also hold one event per year, and those only date back to 1972 and 1938, respectively.  Volcano Cave is also only used once a year.  At one point the cave was used for more regular Lodge meetings, but only five times, until a more suitable place was found.  The Washington Cave seems more important not because it was a cave, but because it has been linked, perhaps apocryphally, to George Washington.

As Parfrey, Waite and Mackey write, it is true that a cavern or vault plays an important role in the Royal Arch Degrees.  At one time some Freemasons considered that the Royal Arch was the true culmination of the first three degrees; indeed, a dispute over its place in Masonry in the early 19th century even led to a  "schism" in English Freemasonry, which at one point boasted rival "Antient" and "Modern" Lodges with differing views.

So, one cannot entirely cast aside Parfrey and Downard's belief that caves are central to Freemasonry.  That said, the subject takes up all of four paragraphs of text in the 300+ page Ritual America.  As for Downard's book of weird masochistic fantasy, I can only say that what he purports to be Masonry is a complete load of horseshit.  I've said this elsewhere:  pick a symbol, any symbol.  You'll find it in Freemasonry:  boats, hearts, anchors, daggers, flowers, beehives, rainbows, tools, etc. ad nauseum.  I don't know why caves or vaults would be especially troublesome.  The empty tomb is is many ways the climax of the Passion--er, that didn't come out right!  What I mean to say is that it "proved" for many that Jesus was in fact what he claimed to be.  Early Christians met in catacombs.  What is a catacomb but an extensive cavern and underground vault?

So, it's not a big deal either way, but it was interesting to follow up and I'd be grateful for anymore examples that might be out there....

Friday, May 24, 2013

Masonic Republics?

In a post entitled ¡Viva la Revolución! (3 March 2011) I looked at the influence of Freemasonry in 19th-century Latin America, a series observations and quotes about the Masonic influence on some of the many wars for independence against the Spanish Empire.  I mostly looked at Masonic symbolism on flags, state seals, coats of arms, etc.  We saw that in many cases, the Masonic symbols were indistinguishable from symbols of the French Revolution, which in turn mirror many of those found in Freemasonry.

In retrospect, my article is a rather flawed and superficial piece and represents the serious limits to my reading in the subject.  I hope that this post and others to follow will help flesh out what I've already written, but one should always keep in mind that I'm doing a lot of speculation, kind of like wondering about the subject out loud.

This sequel began as a result of my trip last year to South America, where I saw so many Masonic elements on public monuments my head began to spin.  Buenos Aires and especially Rio de Janeiro are rife with monuments that are either explicitly Masonic or dedicated to groups in accordance with Masonic ideals.  This was also true, to a much lesser extent, in Montevideo, where it nevertheless all started.

Artigas Mausoleum

The monument to José Gervasio Artigas Arnal in the Plaza Independencia bears many striking similarities to the Monument to Estácio de Sá, a monument I hadn't yet seen for myself in Rio, but had written about thanks to a photo and some description from my brother-in-law Alfredo Buendia.  These two monuments also have a lot in common with the Temple du Sagesse Suprême in Blagnac, about which I've written extensively and has since become a well-known object of vilification.

Artigas (June 19, 1764 – September 23, 1850) is called "the father of Uruguayan nationhood" just as George Washington is called the "father of our country" in the U.S.  In fact, there is a group of Founding Fathers, which is an essay unto itself: the implied paternalism of the state, its reflection of a thoroughly ingrained patriarchal society, etc.  But that's another story.

Normal then that the capital city Montevideo would honor the man in a way which is brilliantly symbolic.  His mausoleum is at the center of Plaza Independencia, just as the man himself was at the center of Uruguayan independence.  This Plaza also separates the old city from the new, not only diving pre- and post-revolutionary quarters of the city, but symbolically representing the division of the ancien régime and the new world order and thus Europe and the Americas.

Was Artigas himself a Mason?  He was part of a Masonic-like society called the Society of the Eastern Knights (Sociedad de los Caballeros Orientales), according to the Wikipedia page on compatriot Manuel Oribe. An article in El Pueblo (Salto, Uruguay) states:  Los representantes de la Escuela Hiram reiteraron que José Gervasio Artigas no integró la Masonería pero afirmaron que 'a su alrededor habían masones'.  Simply put, Artigas himself never joined but was surrounded by Masons; the article also traces the strong role of Masonry in the Uruguayan independence movement.

(For those who read Spanish, here's more about the quasi-Masonic Lautaro Lodges). 

In ¡Viva....! I proposed that the sun in the national flags of Uruguay and Argentina (among other countries) derives from Masonic sources.  I wouldn't want to make weirdo leaps of faith, but I couldn't help thinking that Uruguay's full name, the "Oriental Republic of Uruguay" refers to more than its place on the South American continent.  I don't think it's unreasonable to imagine that there was also a sly reference here to Oriental Masonry, the French-born Continental form of Masonry which dominates South American Freemasonry to this day, where each national jurisdiction is known as a Grand Orient as opposed to a Grand Lodge, and which have a number of doctrinal differences from Anglo-American Masonry.  Thus we also see a lot of French symbols among Latin American revolutionary symbols, many of which, as I stated earlier, are also Masonic.

This inkling of mine about the word "Oriental" was reinforced when I saw the Plaza de los Treinta y Tres, or Plaza of the Thirty-Three.  These "33" are in fact the Treinta y Tres Orientales, a fighting force led by Juan Antonio Lavalleja (1784-1853),  a Freemason, whose insurrection against the Empire of Brazil "culminated in the foundation of modern Uruguay."

Funny thing is "The true number of the group has been the object of controversy, based on the existence of various lists of members, published between 1825 and 1832. Albeit thirty-three is the officially accepted number, the names differ from list to list".

I don't believe the number 33 is an average of those lists or scientific estimation, nor is it merely pulled from a hat.  I would wager that it is symbolically representing the 33 degrees of the Scottish Rite, like the the 32 rays of the Sol de Mayo on the Argentine flag and the 1828 version of Uruguay's flag.  This version was designed by Joaquin Suárez (1781-1861) who the GOFMU claims was a Freemason.  (Note that there are 32 degrees to be earned, and one honorary degree; thus both 32 and 33 can allude to these degrees).  Is it possible that Freemasons active in the formation of Uruguay could in this way symbolically lay claim to a Masonic foundation of the fledgling state?  I wouldn't wager my life on it, but grok if you will the following image.  The Estévez Palace, the former workplace of the Uruguayan President and now a museum, displays relics of its early presidents.  One of those articles:  a Masonic sash, with the 33 inscribed within a Delta in glory.  I believe it's Oribe's sash, but my memory fails me and I didn't take notes.  If anyone in Montevideo can confirm this I'd be grateful.

Treinta y Tres, by the way, is also the name of one of Uruguay's 19 provinces.  Its capital city bears the same name and "Together with Ejido de Treinta y Tres and the southwestern suburb of Villa Sara, they form a population centre of around 33,000 inhabitants." 

I was delighted to see on Wikipedia that the population of Uruguay is rounded to 3.3 million!
Oribe's (?) Masonic Sash.  Palacio Estévez.
Artigas' Mausoleum, opened in 1977, contains a great deal of Masonic symbolism.  The above-ground portion is a truncated pyramid, which, like the pyramid on the American one dollar bill, suggests that the nation's work is not finished; it must, like men and Masons, continue to progress in life towards perfection.  It is a symbol which implies betterment through education and walks hand in hand with the notion of scientific and social progress in addition to the fundamental assumptions of capitalism, which despite the negative connotation of capitalism among contemporary  "progressives", was then considered progressive during the Enlightenment; strange to many American ears, the word "liberal" in Spanish and French still implies the tendency towards laissez-faire politics in economics and law.


Truncated Pyramid
Related, or not?
The pyramid is open at the top, which allows a shaft of light, one of the foremost Masonic symbols, to shine upon Artigas' urn.  Two guards are stationed to either side like Jachin and Boaz, the silent sentinels of a Masonic Lodge, but this is certainly a poetic metaphor in my own invention rather than an intentional reference!

Illumination
As Mackey's Encyclopedia says:  "In the ceremonies of Freemasonry, we find the cavern or vault in what is called the Cryptic Freemasonry of the American Rite, and also in the advanced Degrees of the French and Scottish Rites, in which it is a symbol of the darkness of ignorance and crime impenetrable to the light of truth."

If this is an accurate reading of the cavern symbol, the architects of this monument have done well to allow the light to fall upon Artigas' remains.  He who led them out of ignorance and into truth, "illuminated" as one might say.  Hence the sun on the Uruguayan flag, as well as the appellation "Oriental" for the nation?  After all, the sun rises in the East, the direction revered by Masons as the source of light, or wisdom.

I tried to discern numerical symbolism in the number of panels and alcoves in the mausoleum, but didn't come across much, though I do find some meaning in the fact that it resembles the tessellated floor of a Lodge. 

The truncated pyramid, however, does have three layers of marble panels, so this may reflect the basic Masonic degree structure of three degrees.

Monument to Estácio de Sá


Let's compare the Artigas mausoleum to a monument I've previously written about, the Estácio de Sá monument in Rio de Janeiro.  Sá (1520-1567) , like Artigas, was a soldier and the "father" if you will, of Rio.  The monument is a pyramid which above ground is composed of 13 layers.  The American flag of course has 13 stripes the number appears in many places on the reverse side of the dollar bill.  It is also the number of layers in the pyramid in the Temple de la Sagesse Suprême, a monument I'll discuss in the next section.  I read the pyramid, like simpler geometric forms, as abstractions which, though based on naturally-occurring shapes, are not so commonly found in nature; they are "perfected" versions of mountains, fruit, rocks the sun and the moon.  You can see from this photo that in my original post I slightly misinterpreted its form due to the camera angle of the photo at my disposition, but I think this interpretation is essentially correct.

Like the Artigas mausoleum, light shines into the crypt

Before this pyramid is a triangular window, formed with smaller triangular panes of glass. Just like Artigas' monument, this aperture allows light to shine into the crypt below, shaped as a triangle, following the perimeter of the low wall which marks the boundaries of the exoteric monument above:  as above, so below.  This crypt serves as a small exhibition space, but also houses a reproduction of Sá's tomb.  A remarkable parallel.  Unlike the Artigas mausoleum, the pyramid continues underground for several more layers.  A sinister interpretation is that this represents the hidden forces below the surface of everyday politics, perhaps even echoing the cave-like effect produced in a Masonic lodge, where the ceremonial space is always windowless.  A less sinister interpretation as that this represents deeper forms of knowledge, higher values which ironically, are accessed by going into the deeper concerns of man beyond everyday living.

This above/below theme is reflected in the triangle of sand below these windows.  A quirky thought occurs to me:  sand is used to make glass.  Perhaps this is another metaphor for the powers of reason and enlightenment?  Sand is used to make glass, which in turn allows us to illuminate once-darkened spaces.  Here again though, I think we're entering the realm of the poetic imagination rather than objective analysis.

I should also mention that the small paved plaza around the pyramid is a triangle, as is the crypt itself.  Every form used in its construction, then, is a triangle, or based on one.

The triangle on the floor
As my brother-in-law discussed the symbolism with the monitor in Portuguese during my visit, I was able to make out one thing the monitor said, and that is the form of this monument had been inspired by the "fact" that Sá  was a Freemason.  This claim is possible but a bit of a stretch; the earliest indications of Masonic-like lodges date to Scotland and France in the 1530's, but more convincing references to Freemasonry were a century down the line .  Whether true or not, the claim that he was is significant, as well as that the form was chosen as an homage to Masonry.  The architect and people who paid him seem to have wanted to link the founding of their city with Freemasonry.  Indeed, the Flag of Brazil is a very natural green and blue, decorated with stars.  Above this nature symbolism are words, not shapes:  "Order and Progress."  This encapsulates Masonic values regarding the perfectibility of human nature and via democracy, society as a whole.

Pirámide de Mayo


The pyramid is also has a strong solar connection; as tombs of the Pharaohs, they were essential for survival after death.  Like the sun itself, they signify re-birth.  This in turn is one symbolic meaning of the New World, a fresh start, a perfection of the Old, a new day as it were.  We can here point to the Buenos Aires Metropolitan Cathedral.  The pediment, a triangle naturally, depicts the reunion of Joseph with his father and brothers in Egypt.  Though it represents reconciliation, it also provided the sculptor an opportunity to depict the three pyramids of Giza in the background.  Buenos Aires' most prominent landmark is an enormous obelisk, after all, and I've never seen such a prolific use of the obelisk in miniature scattered throughout a city, except in Rio.  I also passed a small pyramid in a public park near the Recoleta cemetery, the cemetery of the city's illustrious and wealthy...and where explicit Masonic symbols abound.  The Sun and two hands shaking in fellowship derive from Masonry; the Phrygian cap was derived from the French Revolution.  All three symbols are ubiquitous in Argentina, as they form they principal elements of the country's coat of arms. 

These symbols are also displayed on the Pyramid of May  (1811), a monument in Buenos Aires' Plaza de Mayo.  The pyramid was ordered by the Primera Junta to celebrate the first anniversary of the May Revolution that led to removal of the Spanish Viceroy and the establishment of the Junta, the first local government on the path to independence.  The president of this Junta, its two secretaries and five of six committee members were Freemasons.

The Pyramid was originally crowned by a ball finial and encircled with 12 pillars, also with ball finials.  The number 13 appears yet again!  This original Pyramid was renovated and significantly modified in 1856 under the direction of Prilidiano Pueyrredón, a Freemason.

As for the sheer number of obelisks and pyramids, however, Rio has Buenos Aires beat, but I think I'll compile that list for another post.

Temple de la Sagesse Suprême


A third monument I'd like to touch upon is the pyramid monument located at the heart of Blagnac's (France) Place de la Revolution named the Temple de la Sagesse Suprême.  A thirteen-layered pyramid sits at the center of the plaza, as if literally at the heart of not only the Revolution, but the subsequent State, represented by an abstract form of a house from within the center of which pokes the tip of the pyramid.  Its symbolic position at the heart of the Revolution is echoes in both the Pyramid of May and the Artigas Mausoleum.  The pyramid rises with the state, from the masses at the bottom to the President at top, which actually rises about the state itself.  The Sun is metaphorically represented by a circular pathway which radiates outwards.  Here the Sun may represent a new day, but also France's self-proclaimed role as a beacon of Liberty, radiating its revolutionary principles throughout the world.  In fact, a tessellated map of world once lay beneath the pyramid, which is a working fountain.  The pyramids of Sá and Artigas are within view of the sea, perhaps this fountain replaces that natural watery setting.  Why that would be I'm not sure, as water is not really a Masonic symbol, although both the anchor and the ark are.  Perhaps then this refers to the story of Noah, whose story is important not only to Freemasonry, but esoteric circles in general.  As we've seen in previous posts, Noah's story represents....a new start for the world.

The light however, is not just symbolic.  In the ensemble of sculptures that flank the pyramid, a dog-like belvedere can emit a beam of light through a hole in the pyramid.  This too is reminiscent of the eye in the pyramid; because this "eye" also serves to transport light, it's not at all "conspiracy theory" to believe it represents a wink in the direction of Enlightenment, if not a direct homage to the Bavarian Illuminati.  After all, Weishaupt did envision a small elite of enlightened men pulling the levers of the state; the pyramid with the eye is thus called the Temple of Supreme Wisdom.  The clincher is a bronze panel which quotes eccentric architect (and Freemason) Jean-Jacques Lequeu: "Happiness is in the angle where the sages gather."  These sages are of course, enlightened, that is to say illuminated men.  Masons of course, meet on the square, a perfect equilibrium of four angles, a perfected microcosm of the natural world's four directions, its winds, its elements....


Templo da Humanidade —  Rio de Janeiro
France's self-image as a beacon of these values is not arrogance.  The beam of light passes through the eye to hit a crystal set within a tri-colored shield held by a stylized revolutionary carrying a halberd and wearing a Phrygian cap, the symbols repeatedly found in Latin American post-revolutionary heraldry, proof perfect that in fact the ideals of the French Revolution did indeed shine upon the world.  There is, for example, a positivist church in Rio, the Church of Humanity, oriented not towards Jerusalem, but Paris!  Positivism as a church values rationality and promotes universal fraternity; order is its foundation and progress is its aim.  There are some really good articles about the link between positivism and Freemasonry and their use of compulsory public education as means of achieving their goals of order and progress. Many positivists were  Freemasons, including fellows like Jules Ferry, who is primarily responsible for the first laws regarding compulsory education in France.  The most Masonically-festooned tomb in the Recoleta is that of President Domingo Sarmiento, the "father of the Argentine education system" and obviously a Freemason.  I wholeheartedly recommend the articles here and here for a history of positivism, Freemasonry, public education and Latin America. 

This little comparison of these monuments is fitting for a fraternity rich in ideas expressed in architectural metaphors, for these monuments express those ideas not with metaphorical architecture, but in real stone.  The link between Freemasonry and independence in Uruguay and Argentina, as well as in France, is I think clearly expressed in the symbols on these monuments.  A quick look at the people honored by them and who had a hand in making them also demonstrate a number of Freemasonic personalities that cannot be ignored.

So, a lot more could be written here, but for now I've hit a wall, the very same upon which I've just laid another brick.  There'll be more to come....

Saturday, April 27, 2013

Magical Mystery Tour

The route....

You don't need to be a Romantic to be drawn into magic of the French Southwest, but driving through it may convert you into one.  In the space of an hour you can pass from picturesque villages nestled among sprawling vineyards to sublime mountain peaks, crowned by decaying castles, the silent sentinels of a bygone era.  In 2011 alone, France received nearly 80 million tourists.  Take a trip through the Southwest and it's easy to see why.  Whereas most tourists head directly to Paris, for good reason, one could easily skip the City of Lights altogether and spend weeks exploring the Aude and Languedoc-Roussillon and not have "missed out" on a great French vacation.  From hiking to mountaineering, canyoning to mountain biking, the region has you covered.  History buffs will be thoroughly satiated.  Amateur sleuths will find mysteries galore.  Foodies will have to be careful not to eat until they explode.  Thin mint, anyone?

I travelled through the Aude and Languedoc-Roussillon this week.  My itinerary was only a few hundred kilometers, but I saw enough to write a thick book....and what I saw was only a splinter from a massive oak.  Like I said, you can spend weeks exploring an area which can be crossed in a couple of hours.

My journey began at Saint Papoul.  I wanted to visit the Benedictine abbey (founded in the 8th c.) there in the hopes I might stumble across something which might increase my store of knowledge about Saint Sernin and the Saintes Puelles.  Papoul, or Papulus, was a priest who assisted Saint Saturninus (Sernin) in his efforts to evangelize the Gauls.  He's an obscure saint and there's not much that can be reliably said about him.  He was imprisoned for a while in Carcassonne and was killed during the Diocletian persecution, apparently beheaded.  He was also a cephalophore.  I can't find a detailed account, but apparently where he picked up his own severed head, a spring appeared.  The severed head is certainly a pre-Christian mytheme and recalls the rumours about Templar head worship.  The miraculous spring is also a familiar element.  Many of the Vierges Noires we have discussed are associated with sacred springs, as are many of the Virgin Martyrs; several among these latter were also cephalophores.  The cephalophore is not unique to France, but appears most frequently in French hagiography.  Sacred waters will reappear in this post.

In any event, we'd gotten a late start and only had a half an hour to explore the abbey; we decided to skip the visit and press on to out next destination, Saint-Hilaire.

Cloister of Saint Hilaire Abbey

Saint-Hilaire is about 50 minutes southeast of Saint-Papoul.  Like the abbey of Saint-Papoul, it was a Benedictine abbey founded in the 8th century as a dedication to Saint Sernin, a dedication changed in the 10th c. to honor Saint Hilaire (Hilarius), a fifth-century Pope.  The saint himself holds little interest to my researches, but the abbey is the site of Saint Sernin's tomb.  His sarcophagus is an exquisite Romanesque masterpiece and is carved to recount the legend of his martyrdom.  Thus it also features one of the very few depictions of the Saintes Puelles.  But France pretty much shuts down between 12 and 2, so again, I missed out.  I was able to enter the cloister, a tranquil place with a calming fountain at the center of the courtyard, but that was it.  The cloister is much like that of abbey of Saint Peter in Moissac (founded in the 7th c.) and that of the Dominican convent known as les Jacobins in Toulouse (early 14th c.), demonstrating a remarkable consistency in French monastic architecture.  A shame we missed out, but it was a fine day and a pleasant place to have lunch, a good way to ease into a long day of sightseeing.

Notre Dame de Marceille

Our next destination was Rennes-le-Chateau (RLC).  We had to pass through Limoux, a place I visited last year in order to see its famous Carnaval.  A chapel along the road caught my eye and so we popped in for a brief visit.  Lo and behold, my spider senses started tingling and indeed, the basilica is dedicated to Notre Dame de Marceille, a Vierge Noire I hadn't realized was there.  Apparently, the site is very ancient, with Paleolithic and Gallo-Roman remnants.  A church is mentioned as early as 1011.  It remains an important pilgrimage destination and has all the classic elements of Black Virgin stories.

At one time, in the quite remote past, a ploughman who cultivated his field on the slope of Marcellan saw his ox stop, as if halted by an invisible obstacle. He pushed it in vain, to urge it on, but it stood stock-still and resisted every prodding. The ploughman, who was amazed at first, suddenly felt the only other thing he could do was to call to Heaven for help. Then, somehow inspired by this plea for divine assistance, he began to dig the ground where the ox had stopped, only to find that it contained a statue. It was that of a wooden Madonna, brown and dark, with a celestial smile on her face. With great respect, he took the statue to the door of his house, where everyone in his family rejoiced at the sight of it. But their joy was short-lived: the following morning, the Madonna had disappeared. The ploughman returned to his field, and found the image in the place where he had discovered it the day before. Again, he rejoiced and carried it home, but in vain. It returned once again to the place where he had found it. He tried a third time, but to no avail. The statue returned to its hole in the ground.

Source

Compare this story to that of Notre Dame d'Alet; note also that in the vicinity of this basilica there is a village named Alet-les-Bains.....

The basilica is also built over the site of a Gallo-Roman well and a miraculous fountain reputed to cure blindness is located on the site.  This Virgin also appeals to newlyweds who leave their bridal veils to ensure a happy marriage.  It would be redundant to make a list of all the Vierges Noires whose legend involves the strange behavior of cattle, a miraculous insistence of where to be worshipped and the special place she holds in the heart of women seeking aid in matrimony and maternity.  For the general tourist, it's also an amazing basilica, beautifully appointed and covered from floor to ceiling with elaborate frescoes.  Score!  The place was officially closed but the door was unlocked, so I slipped in for some photos.  I later learned that in 2007, while the place was being renovated, someone snuck in and decapitated the statue and spirited the head away, along with Her mantle!  Nothing else was stolen.  Given it's proximity to RLC, I wonder if this was a symbolic act and can't help but recall the cephalophore mytheme of nearby Saint Papoul and the head wound of Saint Sernin.  The current statue, then, like so many others, is a replacement.

Baptismal font, Rennes-le-Chateau

RLC. I won't go into the history associated with this place, but for fans of the esoteric, the town is legendary.  The first book about RLC appeared in 1967 (L'Or de Rennes by Gérard de Sède), inspiring a long series of books speculating about the town and its famous church.  Holy Blood, Holy Grail and The Da Vinci Code both owe their material to de Sède.  Countless books have appeared on the subject and the mysterious Priory of Sion.  It's a vast and complex story the center of which involves hidden treasures and the idea that the bloodline of Jesus and Mary Magdalene continues to this day.  Gérard de Sède was involved in both surrealist and Oulipo groups and I think his work should be approached with this in mind.  De Sède's son Arnaud said in a 2005 interview that his father and Pierre Plantard invented the legend from whole cloth and created the documents "proving" the existence of the Priory of Sion.  It's a fascinating hoax, so well-constructed that despite Arnaud de Sède's statements and the rather extensive debunking, people still believe it's true.  The sheer number of books and websites devoted to the subject boggles the mind.  People believe what they want to believe.  It would be a great Ph.D. thesis to analyze how disinformation works in a a non-propaganda context, as fact and fantasy are mixed to create a viable and enduring story.  There are so many odd coincidences, everything begins to link up and "possible" become "probable" until so much stuff piles up that the "where there's smoke there's fire" mechanism kicks in and fabulism becomes accepted as history.  There are a lot of gold ingots found among the turds, however, and one can read these books with a critical eye and still glean some important insights into the region, like good literature is often more useful than poor history.

Next stop, Rennes-les-Bains.  This has been a spot for thermal cures for literally thousands of years.  The healing properties of its waters is almost certainly connected to the legends surrounding religious sites.  Whereas the claims that a spring can cure blindness (perhaps a metaphorical cure à la Amazing Grace:  "Was blind but now I see") are dubious, the healing benefits of thermal springs are real.  Thermal cures can be prescribed by doctors and are subsidized in part by the French health care system.  We stopped for an hour or so to soak in the warm waters collected in two basins by the side of the Sals River.  A lovely spot that, like every other place in the vicinity of RLC, has been brought under the umbrella of its mysteries.  Indeed RLB's former parish priest Abbé Henri Boudet, contemporary of RLC's Bérenger Saunière, wrote La vraie langue celtique et le cromleck de Rennes-les-Bains (1886), in which he argued that that all languages derived from English!  An earlier book from RLB (1832) by Auguste de Labouïsse-Rochefort also recounts a legend about the Devil's treasure.  Clearly, the roots of the hidden treasure story lie farther back in time than de Sède.

Just to tighten the circle a little further, there is a plaque at  the Marceille basilica honoring Boudet!  but then again, he was born, lived and died very close to all of these places....

Our next goal was to see the Gorges de Galamus.  On the way we passed through a wide, green valley with a solitary mountain at the far end.  Some memory stirred in me.  When we passed through the town of Bugarach, something clicked.  I'd read about this place in the NYT.  Apparently in the 60's this mountain, the Pech de Bugarach, became a favored destination of French hippies, a powerful place along the lines of Sedona or Taos in the American South West.  In 2012 things came to a head, many New Age types descended on the place, there were more visitors than normal and the rhythm only increased as the fateful day in December approached that would mark the end of the Mayan calendar....and the world.  Some believed aliens living inside would carry people away.  This is essentially a New Age version of the Rapture.  Curiously, the Nation of Islam also has some teachings about UFOs and mountains:

The Honorable Elijah Muhammad said these planes were used to set up mountains on the earth. The Qur'an says it like this: We have raised mountains on the earth lest it convulse with you. How do you raise a mountain, and what is the purpose of a mountain? Have you ever tried to balance a tire? You use weights to keep the tire balanced. That's how the earth is balanced, with mountain ranges. The Honorable Elijah Muhammad said that we have a type of bomb that, when it strikes the earth a drill on it is timed to go into the earth and explode at the height that you wish the mountain to be. If you wish to take the mountain up a mile [1.6 km], you time the drill to go a mile in and then explode. The bombs these planes have are timed to go one mile down and bring up a mountain one mile high, but it will destroy everything within a 50-square-mile [130 km²] radius. The white man writes in his above top secret memos of the UFOs. He sees them around his military installations like they are spying.

Louis Farrakhan.  Source

Apparently, these UFOs will destroy America, but spare the Nation of Islam.  These UFOs all come from within one great Mother Plane, the spaceship of God, another take on the Rapture.  At Bugarach, a group of Gendarmes and firemen were called in to block access to the mountain due to fears of Heaven's Gate-like mass suicides. 

Pech de Bugarach; note the two aliens disguised as horses on the right

This was all a pleasant surprise.  It is a beautiful place and not devoid of a sense of mystery, something I felt before I even realized where I was.  Lonely mountains are often Holy Mountains, it's almost hard-wired into the brain.  A holy mountain in New Mexico called Chimayo, for example, receives over 300,000 pilgrims each year and the sanctuary there is said to be built where a hot spring once flowed, revered by Tewa Indians for....its healing powers.  The Pech de Bugarach was considered holy long before the hippies took it up for the very same reason as the Tewa.

Hermitage of Saint Anthony

The road through the Galamus gorge is perhaps the wildest road I've driven, cut straight into the rock, a sheer drop off one one side, a sheer cliff on the other.  It's not as hairy as it sounds, but it's certainly impressive.  Near one end of the road there is a hermitage built into the cliff.  This hermitage was built in 1782 following a miraculous intervention by Saint Anthony to save a nearby village from the ravages of "sweating sickness."  It's a beautiful place and a guy actually rents it from the town of Saint Paul de Fenouillet.  I asked him about the recent events at the Pech de Bugarach.  According to him, there were lots of journalists and policemen, but not the multitude of New Agers depicted in the media.  Perhaps his perception the events were not the same as those of the journalists.  Perhaps the journalist exaggerated it all for a good story.  I'd first read about in the New York Times, so who can say?

Sculpture group

I was struck by a prominent image of Saint Anthony at Rennes-le-Chateau, so this correspondence was especially meaningful in the context, especially given that there is grotto on the site dedicated to Mary Magdalene.  There's also a crucifixion sculpture which includes a blindfolded woman gazing into a hand mirror.  I've discussed the hand mirror before, as a woman reflecting the Divine light of reason onto an allegorical scene of Liberty.  It's also used to represent Venus, who I've also discussed in a previous post.  A blindfolded woman is often used to represent Justice.  But the two elements together is very curious and I wasn't certain what it represents until I asked around to some friends.  I'll come back to her.

This grotto also houses a spring at which a reproduction of Saint Bernadette's vision of the Virgin Mary.  Healing waters, yet again....

Chapel dedicated to the Saintes Puelles

From Galamus we pressed on to Tautavel in the hopes that I could get into the chapel dedicated to the Saintes Puelles.  It was too late to get the key the day I arrived and the following day also proved fruitless, as the woman with the key was occupied at the parish church for a funeral.  As I drank my coffee I heard the death knell and laughed at my own selfishness.  Too bad this funeral cock-blocked me from seeing the Puelles, I'd thought.  Oh yeah, that and someone's family was grieving!  So basically, no Puelles.  But Tautavel is an impossibly charming village, with a lovely space to camp by the river, abundant vineyards with wine of high repute and a museum dedicated to prehistory.  Some of Europe's oldest prehistoric artifacts were found here and the 450,000 year old Tautavel Man, perhaps a subspecies of H. erectus, inhabited the area.  Again, one is struck by the long history of human presence in the whole region, which adds a sense of wonder to the presence of healing waters and springs, most certainly the reason why people settled in these spots to begin with.  The life-giving waters took on a spiritual dimension over time, which seems only natural and for me anyway, adds a positive dimension to Catholic veneration.  Which is exactly why some Protestant groups vilify Catholicism as being too pagan and thus dilutes if not negates Christian exceptionalism.  My own view is that this exceptionalism is born of insecurity.  If so much of the Christian story can be found in classical and pagan prototypes, the belief in an exclusive path to salvation is threatened, which is simply bad for business.  Jewish precedent is okay, but God forbid if Christianity takes something from legends of Attis, Dionysus, Horus, Isis, Mithra...

Day two of my voyage was more abbreviated.  We left Tautavel towards Perillos, which has only come to my attention sometime in the past few years.  Perillos is an abandoned town now part of the municipality of Opoul.  Perillos is a bit of blank to me, but some believe that it is an element of the RLC mysteries, or rather, that the RLC mystery is actually part of the Perillos mystery.  Is the tomb of Christ located there?  What is its connection to the Apocalypse (shades of Bugarach).  Dig this:

The "secret" of Perillos really isn't so much a secret. The locals near Opoul-Perillos, the "old guys", still remember... they have stories of "the tomb of God", a site they were told by their elders not to go to and play. There are locals who observe bizarre events in and around Perillos, but keep quiet. Our organisation is almost like a "confessional", whereby these people can finally say, in all anonymity, what they see and know, and we often don't even shrug our shoulders when they tell what they know their wives or husbands would claim as "idiotic". This includes seeing apparitions of God, straight out of the Old Testament. Inverted rainbows.

Source

Chateau de Perillos

The way I went in is along a long and empty canyon.  There is definitely a mysterious feeling as one approaches the place, but then again, knowing what I know, this could easily be chalked up to a Romantic imagination.  It has even been connected to Notre Dame de Marceille.  It all links up because well, they are linked.  Perillos is only a few minutes from Tautavel, and Galamus, and Limoux.  Find the connections, run with it, speculate a bit, write a colorful account....good for tourism, good for making money on the flourishing trade in esoterica of all sorts.  That said, Perillos is worth looking into and the Societé Perillos has a good website that I've consulted more than once during the course of this post to verify my impressions of what I'd seen.  A lot of the information seems deliberately cryptic, but the Societé itself has mentioned they want to discourage the kind of treasure hunters who dug up the area around RLC looking for buried treasure.

This page sums up the Perillos "mystery"pretty well:

Apparently in 1995, one André Douzet found a model, allegedly made by or made for the priest Bérenger Saunière, of the areas associated with the passion of Christ, including the location of the tomb of Jesus and his uncle Joseph.  Thing is, it didn't match Jerusalem.  Douzet then recognized one of the features as a rock formation near Perillos.  The Seigneurs of Perillos were an illustrious family among whose number was once counted the Grandmaster of the Knights of Malta.  Our man Abbé Henri Boudet, contemporary of RLC's Bérenger Saunière, once directed the parish.  Saunière himself was known to have visited the area to have a look at local families' archives.  Douzet also came across a reference in local archives to a piece of land which prohibited anyone, including the Lords of Perillos, from collecting rocks, cutting wood or otherwise molesting it; it could not be sold, transferred or divided.  It was within the lands of the Lords, but they didn't own it, they merely guarded it.  Furthermore, cartographer Jacques Cassini, whose family made the first general maps of France, was known to have spent a year and a half there, yet his maps leave the site of the tombs blank.  Which means they either aren't there or he was looking for them and then kept it secret.  There are a lot of other details, but that's the general story.  Douzet claims to have found the tombs and some artifacts inside, yet in 2008 another researcher pronounced it was all a hoax.  Hoax or not, it is a lovely and wild spot and I loved it not for being the site of Jesus's tomb, but merely for the fact many believe it's true!

The rest of my journey was for the kids.  A human labyrinth in Trouillas, burro riding in Castelnou (another amazing village), a visit to the beach in Spain.  The last LoSian aspect of the trip was in Thuir, where there is yet another Vierge Noire, but alas!  This church too was closed.

Notre Dame de la Victoire

According to Ean Begg, Notre Dame de la Victoire is 50cm tall and made of lead, which accounts for her dark hue.  She dates from the late 12th century.  Apparently four statues were made from the same mould, two of which went to Spanish Catalonia and two to the Massif Central; both regions have dense concentrations of Black Virgins.  This statue replaced an earlier one, mentioned in the 10th c.  Like Notre Dame de Sabart, She helped Charlemagne defeat the Saracens; in this case by providing his exhausted troops with water.  Charlemagne apparently brought an image of the Virgin to a dry river bed and thrust his sword into the earth and a spring gushed up from the spot, which sounds very sexual to these ears.  A sword is planted and the earth gets wet, thus sustaining and bringing life to his troops.  This sexual/birth motif may be why, like Notre Dame de la Daurade, she is a patroness of childbirth.  Pieces of her robe, or a birthing belt are placed on the bellyof a woman in labor.  If I understand correctly, her feast day, October 7th, predates the defeat of the Ottoman Turks at Lepanto on the same day in 1571.  Like a lot of info from Begg, however, I'm careful about repeating that as fact.  For another example of a battle with Saracens which involves planting a phallic object in the ground, causing a spring to spurt out on the spot, see my discussion of St. Fris.

Castelnou

The conclusion of my voyage was a jaunt to the beach in Spain, then the long-ish drive home.  But there are any number of alternatives.  One could strike north for the arid beauty of the Corbières wine country, with a stop in Carcassonne on the road back to Toulouse.  The route between Perpignan and Andorra is magnificent, with two fortified cities I've yet to explore.  You get the picture.  I chose our route for it's convenience and it's mixture of history and pop-esoterica, sites never more than a half an hour or 45 minutes apart.  Drive a bit, explore a bit.  None of these places takes up too much time to explore.  I plan to return to Tautavel very soon, just camp and enjoy the river.  If I don't see the Saintes Puelles due to some reason or other, I'll only be able to conclude that there is a conspiracy of silence to keep me from seeing the chapel and exposing its secrets to the world!

But seriously, I do hope to explore Perillos a bit more, as there's talk in the air that it might be made off limits to protect it from treasure-seekers, even perhaps put under the control of the military!  This isn't as ominous as it sounds, as there is a large military base nearby which may in fact be contiguous with the abandoned town.

Bottom line is that if you want to travel in France, you've got something for everyone in this little itinerary, a logistically perfect little nugget.  I went to see many of the thing I've previously discussed on LoS, such as the sarcophagus of St. Sernin or the statue of the Saintes Puelles.  On that front it was something of a failure.  But I made a lot of little discoveries and connections to other areas of interest, all the while spending some good times with the kids, teaching them some proper camping skills and a little about history.  Cathars, UFOs, esoteric sects, what could be better?

I'm also going to look into this Boudet character.  His book is full of wordplay and puns.  Given that de Sède was involved in surrealist and Oulipo groups, this makes me wonder if de Sède had read this book and it influenced him to write his own book.  RLC research is rife with mystical toponymy, puns, double-entendre and decoding ciphers.  In 1991 a Flemish researcher decoded some of Boudet's book and was led to Limoux, more specifically the basilica of Notre Dame de Marceille, where he discovered secret vault by the river.  Some have speculated that an entire underground complex exists beyond a blocked-up tunnel from the vaults.  So that underground treasure people are looking for around RLC may just be slightly farther afield than thought.  If we think back to the legend of this particular Black Virgin, we recall that She was dug up from the ground.  Is it possible that this is the vault where She was found, and that the vault is the original chapel built to house Her?  Or, if it is indeed far older, could it have been a pagan temple or shrine and that the Virgin found there was in fact a pre-Christian idol?

Further inquiries in my library reveal that Saillens (Nos Vierges Noires) says the locals called her "our sibyl" and believes that to be the case, the pagan prototype being Cybele.  Cybele is a mother of the gods and is often associated with Attis, whose myth has many features later ascribed to the birth, life and death of Jesus.  In Vierges Noires, Cassagnes-Brousset notes that a nearby (how near?) archaeological dig uncovered a figurine of Belisama, a Celtic goddess the Gallo-Romans identified with Minerva/Athena.  This goddess was both warrior and healer, associated among other things with lakes and rivers.

Marceille is an ancient place with Paleolithic, Neolithic, and Bronze age articles found in the vicinity; a Gallo-Roman villa was located nearby.  Perhaps the vault was related to the villa, its location near the church coincidental, unless the basilica replaced a pre-Christian temple.  The current statue is a reproduction of the decapitated version dating back to the 11th c., yet the basilica was begun in the 14th.  Was the vault its original shrine?  Tradition holds that like so many other Vierges Noires, this wooden sculpture replaced an even older version.  As it turns out, this theory is discussed in some detail by the Societé Perillos.  I urge you to read that essay, if only for this curious detail:  She was originally inscribed with the words "Do not look at me, because I became brown." according to a text entitled Hommage au Baron Podenas.

Became?  Very curious, but we must be cautious, for I can find the Hommage au Baron Podenas  referenced anywhere else....bear that in mind as you read what follows.

There seem to be some curious traditions about eyes of this statue, which are indeed quite large.  The imperative to "avert your eyes" made me think of the blindfolded figure at Galamus and another curious detail popped up: both figures are smiling....tradition even has it that "he who sees the statue [ND de Marceille] smiling at him, is certain to obtain the grace which he came to beseech.”  A pal suggests the blindfolded figure is Synagoga, a figure usually paired with Ecclesia  to represent the replacement of Judaism by Christianity; the Jews cannot "see" that Jesus was the Christ.

Confirmation is to be found at the site itself, I'd neglected to read the sign.  This sign states that the group depicts Ascension of Christ and is called Christ and Humanity.  The woman standing represents hope for salvation, whereas the seated woman is blind to this opportunity.  Thus my friend is right, she is essentially Synagoga and the other woman, Ecclesia.  My friend also points out this page with a picture of the group, but it appears to be in white marble; a caption says the photos were taken at an unused church some years ago but the sculpture is now at the hermitage.  So the red version we see is either a copy, or it has been painted.  This latter possibility seems odd to me, but is is possible  One would then wonder why such a dark, earth-red hue was chosen.

Perhaps any explicit reference to Synagoga has been removed due to some interpretations of the figures as essentially anti-Semitic, although recent scholarship is apparently more nuanced.

The ensemble was a gift of local sculptor G.A. Grouille, not an especially common name and not usual for this area.  The verb grouiller, which I came across looking for the name, means to be full of something or to swarm.  Thinking I might have a pseudonym, I looked for clues in the name, but it doesn't help much.  It is a real name though, I just can't seem to find any other references to the artist.

I also recall that there was a Sator Square carved into a stone in a chapel at the hermitage.  This kind of word square is pre-Christian and consists of a series of five words written on a grid.  It is a palindromic acrostic.  Best thing is to follow the link and see it for yourself.  Needless to say, this kind of wordplay would have appealed to Boudet, or to de Sède.  Ostensibly it is Latin, but one of the words, "Arepo", may be Celtic in origin.  That would certainly have interested Boudet.  Could he have placed it there?  The possible translations that have been proposed include "The farmer Arepo has [as] works wheels [a plough]" and "The sower holds the works and wheels by means of water."  This seems to relate to elements of the Marceille legend, and the Sator Square is believed to have magical uses, including putting out fires, which just happens to be one of the properties of Notre dame de Marceille.

Leaving that question aside, I should also report that She was also stolen during the Revolution; the records of the case do imply a kind of conspiracy involving people who knew about, and used, the secret vaults.  Again, curious details.  Secret vaults, a theft, a later decapitation.  Little wonder she has excited so much interest.

There's certainly more to investigate here, but that may best be left for time and serendipity to work out.  My inquiries keep leading me to the same unique sources, which is a good enough reason to pause and look for other angles.

But for the moment, Daurade is tired out.  I'm sure I'll come across more in my further readings and travels that will lead me back to these speculations, but for now, I feel this is the post I was looking for, hopefully a return to productivity, if not form!

Sunday, October 16, 2011

The Devil Went Down to Cahors

Le Pont Valentré, Cahors, France. Copyright and courtesy of Alec Blyth.

I recently made my annual visit to Loubressac, in the Lot (department), and took the opportunity this time to visit the nearby "goufre de Padirac", literally the "abyss of Padirac" or more simply, Padirac Cave.

It's an impressive and massive underground network of caverns, many of which can be navigated on a subterranean river.  The Underground Stream as it were.

Unsurprisingly, legends about the place abound:  flames sometimes erupt from the entrance, a fabulous treasure was hidden by the English soldiers who sought refuge there during the Hundred Years War.  Then, as is fitting for such a vast underground expanse, there's the Devil.

In one tale, the Devil actually formed the mouth with a kick of his heel, as a challenge to Saint Martin.  Like a double-dare ya kid, he told Martin that if he could jump across the cave mouth on his mule, he'd turn over the passel of souls he was in the process of herding into Hell.  Saint Martin, of course, made the leap....and the footprints where mule landed are said to be visible to this very day.  The chasm he jumped was 35 meters across and 75 meters straight down; talk about your Leap of Faith!

The Devil then disappeared and went off to sulk.

I was immediate struck by the similarity of this tale to one I'd mentioned in my post Staff of Life: 

This cookie is from Brittany and may recall a Breton legend where the Devil, jealous of St. Michael, challenges the latter to....a jumping contest. Ready, set, go! The Devil plummeted into a canyon, but Michael, borne by pinions of air, floated safely to a mountaintop that still bears his footprint (shades of the Dome of the Rock, said to bear Mohammed's footprint). Devil, as Jack Black said so wisely, You can't win!

I suspect that there are other variations of this kind of contest and consider significant this idea that Mohammed's footprint was left on the massive stone at the center of the Dome of the Rock (discussed on LoS in another context here), for it links this aspect of the Padirac legend away from the particular and towards the general, or from the local into a more universal mytheme.

The idea that Sts. Michael or Martin could leave their footprints in rocks also recalls Franco-Celtic legends about giants, specifically Gargantua.  Folklore has it that this giant created hills and caves with his feet, small dales with his body after lying down for a nap, rivers from having a pee, etc.  I was made aware of these legends in A l'aube de l'Europe, un saint friso-gascon : la légende dorée de saint Fris de Bassoues from the Bulletin de la Société de mythologie française ; 1999, no195 and referred to it in an earlier post.

When I mentioned the Padirac legend of St. Martin and the Devil to my host in Loubressac, she was surprised that she'd never heard tell of it because her father had been an avid fan of folklore.  She did, however, tell me the legend of the Devil's Bridge in nearby Cahors.

The bridge, or Pont Valentré, took 70 years to complete, from 1308 to 1378.  As my host related it, the river it spans runs quickly and the muddy bottom not ideal for building.  The length of time it took to build probably reflects this.  As it happened, the chief architect made a pact with the Devil:  help me and my men to complete this bridge and we will give up the first soul who crosses it.  Deal concluded, the work proceeded and when it was finally completed, the Devil showed up to claim his soul.  But the architect was a crafty fellow.  The first thing he sent across the bridge was a mule.  The Devil, tricked, left in a huff.

That said, other variants have it that the trick involved a bet that the Devil couldn't bring the architect some water in the container he chose....the architect chose a sieve, so the Devil lost.  My host seems to be relating a superstition that applies to any bridge.  I recall reading that animals were herded over a newly-built bridge because the Devil claimed the souls of the first to cross.  Perhaps this was conflated with the master architect story in Cahors and the animal was specified to be a mule.

When the bridge was restored towards the end of the 19th century, a small statue of the Devil was placed at the summit of one of the bridge's towers in reference to this legend.

The legends of Saints Michel, Martin and Cahors are linked--obviously the Devil and his defeat are common elements; furthermore, all of them speak about traversing large or dangerous spaces:  a swift river, a gaping hole, a valley.  Perhaps in this crossing over, there is an implication of transition, of a changing state...from temptation to victory, damnation to salvation?

The Padirac tale also features the mule, which may be a local element as Cahors is only a short distance away.

The "Devil's Bridge", however, is more than a local phenomenon.  There are so many bridges of technical mastery around the world that have a similar origin that they form

a special category in the Aarne-Thompson classification system for folktales (Number 1191). Some of the legends have elements of related folktale categories, for example Deceiving the Devil (AT #1196), The Devil's Contract (AT #756B), and The Master Builder legends.

I said around the world but I should more properly say around Europe.  It is also principally a medieval phenomenon but there are apparently similar tales dating back to the Romans.  I would venture to guess that tales of collusion with demonic forces to construct technically challenging structures predates Rome, but it is only a guess.

The Devil's Bridge is also clearly a subset of the Deal with the Devil legends.  Someone signs away his or her soul in exchange for wealth, power, guitar mastery, whatever.  When the hour approaches, the mortal is in total despair and desperately tries to save his or her soul from an eternity of suffering, usually in vain.  On some occasions the mortal is clever enough to get out of the deal in some manner or other.

The Christian prototype for this goes back the 6th century story of Theophilus of Adana.  The tale states that this cleric, having been screwed out of a job after humbly rejecting another, decides to seek the help of the Devil with the assistance of a wizard.  The Devil makes Theophilus a bishop after the latter signs a deal (in his own blood) rejecting Christ and the Virgin.

Years later he regrets his decision and after lengthy periods of fasting and prayer is granted absolution by the Virgin Mary.  Perhaps evoking the three days between the death and resurrection of Christ, and symbolizing the possibility of the freedom from Hell Christ's sacrifice offered, it is only after three days that the contract is destroyed and Theophilus free from its obligations.

When I first heard of the Cahors legend and the mule, I was tuned into this mule due to its role in the Padirac legend.  My mind wandered to the story of the Golden Ass.  I was therefore delighted to read that this novel is sometimes considered as a source of the Theophilus legend.  I can't say "aye" or "nay" to this, but it's not entirely without its merits.

In the Golden Ass....Apuleius is transformed into a donkey through his misguided experiments with sorcery. Apuleius escapes his predicament only through an appeal to Isis, whom he agrees to serve for the rest of his life.

The Theophils tale is considered important for its influence of the theology surrounding the use of sorcery, dealing with the Devil and in the long evolution of Mary as more than the Theotokos, or God-bearer, but a powerful intercessory in Her own right.

Finally, just the other day I was discussing the symbolic meaning of donkeys with a friend who is writing a paper on the topic.  We talked a little about The Golden Ass, the biblical story of Balaam, Shrek....  Which is probably what prompted me to write this now, despite the fact I'd conceived of it before I began my last two or three posts.

I'm still left with the question of whether or not the mule in the Padirac and Cahors legends are significant or incidental.  I'd also like to look at non-European tradition which involve saints leaving traces of their passage in rocks (a wonderful metaphor for the intransient nature of their messages, perhaps).  I'll try and take on these questions sometime in the near future.

Postscript.

All this reminds me of The Charlie Daniels Band's 1979 hit The Devil Went Down to Georgia, hence the title of this post.  I'd initially decided only to reference the song in the title and not mention it in the post itself, but I just came across something amusing, another wink from the universe.

In this song, the Devil challenges a young fiddle player named Johnny to a duel:  his soul against a fiddle made of solid gold.  After lots of fiddling about, Johhny accepts, and then wins the challenge.  What I'd never realized, not being very literate on musical terminology, is that "The performances of Satan and Johnny are played as instrumental bridges."